Wain’s early work, while strange to some, is dominated by fanciful imagery of cats dressed in human clothes or engaged in human activity. Considering that much of his work was political cartooning and illustrating for children’s books, the early work seems an adequate representation of his pre-schizophrenic period.
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During the onset of his disease at 57, Wain continued to paint, draw and sketch cats, but the focus changed from fanciful situations, to focus on the cats themselves.
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Characteristic changes in the art began to occur, changes common to schizophrenic artists. Jagged lines of bright color began emanating from his feline subjects. The outlines of the cats became sever and spiky, and their outlines persisted well throughout the sketches, as if they were throwing off energy.
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Soon the cats became abstracted, seeming now to be made up of hundreds of small repetitive shapes, coming together in a clashing jangles of color that transform the cat into something resembling an Eastern diety.
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The abstraction continued, the cats now being seen as made up by small repeating patterns, almost fractal in nature.
Until finally they ceased to resemble cats at all, and became the ultimate abstraction, an indistinct form made up by near symmetrical repeating patterns.
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Wain, like many late onset schizophrenics, never recovered from his illness. Because of the invention and increase in availability of medications effective in treating schizophrenia, the prognosis for someone diagnosed with the disorder today is much better than the one for Wain, who had been diagnosed in 1917. There is no yet known cause for the late onset in this type of schizophrenia, much like there is no known cause for the onset in the early type. Theories include much the same hypotheses as those for early onset, namely chemical imbalances and/or traumatic experience coupled with a genetic predisposition to the disorder.
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