I have been thinking about an idea for a short story or film.
Basically its set in the future say 2008, not so far away. Israel is still in a precarious position, surrounded by enemies, Iran and Iraq are occupied by the US army and the UN after a terrible war. Terrorists thrive and attacks are not uncommon in the area, there is a lot of support for the arabs and not much for israel, little has changed in that dept. the only reason the tiny country still remains is it has a force field around it. the force field is inpenatrable and anything entering has to have authority as it passes certain hidden pockets/ doorways.
terrorists, arab states and europe and south america and asia are all putting pressure on israel, demanding that it deactivate the field and share the technology, jewish people outside israel are few and far between, they are subject to persecution and attack. most countries in europe are muslim, england, france and germany all under sharia law.
the usa in a bid to dig itself from the mess it is in capitulates and joins the rest of the world in condemming israel and eventually diplomacy fails and war is declared. the armies of the world threaten a rain of nuclear bombs on the state of isreal.
meanwhile in tel aviv a team of scientists and mystics have made an army of andriods/clones/ from organic material they call them it, project golem.
These golem are indistingusable from humans except they are mute, they are intelligent and follow instructions but cannot speak. The golem also is composed of billions of nano golems, each can preform the task of its parent. So if a golem is attacked by a tank it can break itself into tiny sub atomic particles and attack the source of the threat. Global armies are met on the battlefield by masses of golem, the golem are indestructable, only their creators can take life from them. Tanks, missiles, submarines and computers all fall apart, eventually the global armies are neutralized. The second wave of the nano golem is the 'antidote' a meme type thoughtwave that is transmitted once the meme carrying nano golem is in the brain of the population. The meme is of acceptence, it neutralizes the need to differentiate the us from them, it's beautiful. Eventually as the meme spreads the force field is lowered and peace reigns supreme.


In Jewish folklore, a golem (גולם, sometimes [as in Yiddish] pronounced goilem) is an animated being which is crafted entirely from inanimate material. In modern Hebrew the word golem literally means 'cocoon', but can also mean "fool", "silly", or even "stupid". The name appears to derive from the word gelem (גלם), which means "raw material".


Origins of the word
The word golem is used in the Bible to refer to an embryonic or incomplete substance: Psalm 139:16 uses the word "gal'mi", meaning "my unshaped form" (in Hebrew, words are derived by adding vowels to triconsonantal roots, here, g-l-m). The Mishnah uses the term for an uncultivated person ("Ten characteristics are in a learned person, and ten in an uncultivated one", Pirkei Avoth 5:7). Similarly, Golems are used today primarily in metaphor either as brainless lunks or as entities serving man under controlled conditions but enemies in others. Similarly, it is a Yiddish slang insult for someone who is clumsy or slow.

Earliest stories
The earliest stories of golems date to early Judaism. Adam is described in the Talmud (Tractate Sanhedrin 38b) as initially created as a golem when his dust was "kneaded into a shapeless hunk". Like Adam (whose name literally means "ground,") all golems are created from mud. They were a creation of those who were very holy and close to God. A very holy person was one who strove to approach God, and in that pursuit would gain some of God's wisdom and power. One of these powers was the creation of life. No matter how holy a person became, however, the being they created would be but a shadow of one created by God.
Early on, the notion developed that the main disability of the golem was its inability to speak. In Sanhedrin 65b, it describes how Raba created a golem using the Sefer Yetzirah. He sent the golem to Rav Zeira. Rav Zeira spoke to the golem, but he did not answer. Said Rav Zeira, "I see that you were created by one of our colleagues; return to your dust."

Owning and activating golems
Having a golem servant was seen as the ultimate symbol of wisdom and holiness, and there are many tales of golems connected to prominent rabbis throughout the Middle Ages.
Other attributes of the golem were gradually added over time. In many tales the Golem is inscribed with magic or religious words that keep it animated. Writing one of the names of God on its forehead, a slip of paper attached to its forehead, or on a clay tablet under its tongue, or writing the word Emet אמת, 'truth' in the Hebrew language) on its forehead are examples of such words. By erasing the first letter in Emet to form Meit (מת, 'dead' in Hebrew) the golem could be deactivated.

The classic narrative
The most famous golem narrative involves Rabbi Judah Loew the Maharal of Prague, a 16th century rabbi. He is reported to have created a golem to defend the Prague ghetto of Josefov from Anti-Semitic attacks. The story of the Golem first appeared in print in 1847 in a collection of Jewish tales entitled Galerie der Sippurim, published by Wolf Pascheles of Prague. About sixty years later, a fictional account was published by Yudl Rosenberg (1909). According to the legend, Golem could be made of clay from the banks of the Vltava river in Prague. Following the prescribed rituals, the Rabbi built the Golem and made him come to life by reciting special incantations in Hebrew. As Rabbi Loew's Golem grew bigger, he also became more violent and started killing people and spreading fear. Rabbi Loew was promised that the violence against the Jews would stop if the Golem was destroyed. The Rabbi agreed. To destroy the Golem, he rubbed out the first letter of the word "emet" from the golem's forehead to make the Hebrew word "met", meaning death. (According to legend, the Golem of Prague's remains are stored in a coffin in the attic of the Altneuschul in Prague, and it can be summoned again if needed.) The existence of a golem is sometimes a mixed blessing. Golems are not intelligent - if commanded to perform a task, they will take the instructions perfectly literally.
In some incarnations of the legend of the Maharal's golem, the golem has powers that can aid it in its tasks. These include invisibility, a heated touch, and the ability to use the Maharal's walking stick to summon spirits from the dead. This last power was often crucial, as the golem could summon dead witnesses, which the medieval Prague courts would allow to testify.

The hubris theme
In all Jewish kabbalistic descriptions of Golems, they are incapable of disobeying the one who created them, but in one version of the story, Rabbi Eliyahu of Chelm created a Golem that grew bigger and bigger until the rabbi was unable to kill it without trickery, whereupon it fell over its creator and crushed him. The hubris theme in this version is similar to that in the stories of the monster of Frankenstein and of the broomstick in The Sorcerer's Apprentice. It remains a standard feature of golems in popular culture.

The golem in European culture
In the late nineteenth century the golem was adopted by mainstream European society. Most notably Gustav Meyrink's 1915 novel Der Golem based on the tales of the golem created by Judah Low ben Bezalel. This book inspired a classic set of expressionistic silent movies, Paul Wegener's Golem series, of which especially The Golem: How He Came Into the World (also released as The Golem, 1920, USA 1921) is famous. Another famous treatment from the same era is H. Leivick's 1921 Yiddish-language "dramatic poem in eight sections" The Golem. Also notable is Julien Duvivier's "Le Golem" (1936), a sequel to the Wegener film.
These tales saw a dramatic change, and some would argue a Christianization, of the golem. Christianity, far more than Judaism, has long had a deep concern with humanity presuming Godhood upon themselves. [citation needed] The golem thus became a creation of overambitious and overreaching mystics, who would inevitably be punished for their blasphemy, very similar to Mary Shelley's Frankenstein and the alchemical homunculus. In Norse mythology, Mökkurkálfi (or Mistcalfa) was a clay giant, built to help the troll Hrungnir in a battle with Thor.
In America, the opera 'The Golem' by Abraham Ellstein retells in 20th-century harmonic language the centuries-old tale of a creature fashioned from clay and brought to life by kabbalistic spells who ultimately threatens the very people he was intended to serve." (quote from Milken website) Selections are available on disc from the Milken Archive of American Jewish music.