Thursday, November 02, 2006



The Age Of Horrorism
By Martin Amis
It was mid-October 2001, and night was closing in on the border city of Peshawar, in Pakistan, as my friend - a reporter and political man of letters - approached a market stall and began to haggle over a batch of T-shirts bearing the likeness of Osama bin Laden. It is forbidden, in Sunni Islam, to depict the human form, lest it lead to idolatry; but here was Osama's lordly visage, on display and on sale right outside the mosque. The mosque now emptied, after evening prayers, and my friend was very suddenly and very thoroughly surrounded by a shoving, jabbing, jeering brotherhood: the young men of Peshawar.

At this time of day, their equivalents, in the great conurbations of Europe and America, could expect to ease their not very sharp frustrations by downing a lot of alcohol, by eating large meals with no dietary restrictions, by racing around to one another's apartments in powerful and expensive machines, by downing a lot more alcohol as well as additional stimulants and relaxants, by jumping up and down for several hours on strobe-lashed dancefloors, and (in a fair number of cases) by having galvanic sex with near-perfect strangers. These diversions were not available to the young men of Peshawar.

More proximately, just over the frontier, the West was in the early stages of invading Afghanistan and slaughtering Pakistan's pious clients and brainchildren, the Taliban, and flattening the Hindu Kush with its power and its rage. More proximately still, the ears of these young men were still fizzing with the battlecries of molten mullahs, and their eyes were smarting anew to the chalk-thick smoke from the hundreds of thousands of wood fires - fires kindled by the multitudes of exiles and refugees from Afghanistan, camped out all around the city. There was perhaps a consciousness, too, that the Islamic Republic of Pakistan, over the past month, had reversed years of policy and decided to sacrifice the lives of its Muslim clients and brainchildren, over the border, in exchange for American cash. So when the crowd scowled out its question, the answer needed to be a good one.

'Why you want these? You like Osama?'

I can almost hear the tone of the reply I would have given - reedy, wavering, wholly defeatist. As for the substance, it would have been the reply of the cornered trimmer, and intended, really, just to give myself time to seek the foetal position and fold my hands over my face. Something like: 'Well I quite like him, but I think he overdid it a bit in New York.' No, that would not have served. What was needed was boldness and brilliance. The exchange continued:

'You like Osama?'

'Of course. He is my brother.'

'He is your brother?'

'All men are my brothers.'

All men are my brothers. I would have liked to have said it then, and I would like to say it now: all men are my brothers. But all men are not my brothers. Why? Because all women are my sisters. And the brother who denies the rights of his sister: that brother is not my brother. At the very best, he is my half-brother - by definition. Osama is not my brother.

Religion is sensitive ground, as well it might be. Here we walk on eggshells. Because religion is itself an eggshell. Today, in the West, there are no good excuses for religious belief - unless we think that ignorance, reaction and sentimentality are good excuses. This is of course not so in the East, where, we acknowledge, almost every living citizen in many huge and populous countries is intimately defined by religious belief. The excuses, here, are very persuasive; and we duly accept that 'faith' - recently and almost endearingly defined as 'the desire for the approval of supernatural beings' - is a world-historical force and a world-historical actor. All religions, unsurprisingly, have their terrorists, Christian, Jewish, Hindu, even Buddhist. But we are not hearing from those religions. We are hearing from Islam.

Let us make the position clear. We can begin by saying, not only that we respect Muhammad, but that no serious person could fail to respect Muhammad - a unique and luminous historical being. Judged by the continuities he was able to set in motion, he remains a titanic figure, and, for Muslims, all-answering: a revolutionary, a warrior, and a sovereign, a Christ and a Caesar, 'with a Koran in one hand', as Bagehot imagined him, 'and a sword in the other'. Muhammad has strong claims to being the most extraordinary man who ever lived. And always a man, as he always maintained, and not a god. Naturally we respect Muhammad. But we do not respect Muhammad Atta.

Until recently it was being said that what we are confronted with, here, is 'a civil war' within Islam. That's what all this was supposed to be: not a clash of civilisations or anything like that, but a civil war within Islam. Well, the civil war appears to be over. And Islamism won it. The loser, moderate Islam, is always deceptively well-represented on the level of the op-ed page and the public debate; elsewhere, it is supine and inaudible. We are not hearing from moderate Islam. Whereas Islamism, as a mover and shaper of world events, is pretty well all there is.

So, to repeat, we respect Islam - the donor of countless benefits to mankind, and the possessor of a thrilling history. But Islamism? No, we can hardly be asked to respect a creedal wave that calls for our own elimination. More, we regard the Great Leap Backwards as a tragic development in Islam's story, and now in ours. Naturally we respect Islam. But we do not respect Islamism, just as we respect Muhammad and do not respect Muhammad Atta.

I will soon come to Donald Rumsfeld, the architect and guarantor of the hideous cataclysm in Iraq. But first I must turn from great things to small, for a paragraph, and talk about writing, and the strange thing that happened to me at my desk in this, the Age of Vanished Normalcy.

All writers of fiction will at some point find themselves abandoning a piece of work - or find themselves putting it aside, as we gently say. The original idea, the initiating 'throb' (Nabokov), encounters certain 'points of resistance' (Updike); and these points of resistance, on occasion, are simply too obdurate, numerous, and pervasive. You come to write the next page, and it's dead - as if your subconscious, the part of you quietly responsible for so much daily labour, has been neutralised, or switched off. Norman Mailer has said that one of the few real sorrows of 'the spooky art' is that it requires you to spend too many days among dead things. Recently, and for the first time in my life, I abandoned, not a dead thing, but a thriving novella; and I did so for reasons that were wholly extraneous. I am aware that this is hardly a tectonic event; but for me the episode was existential. In the West, writers are acclimatised to freedom - to limitless and gluttonous freedom. And I discovered something. Writing is freedom; and as soon as that freedom is in shadow, the writer can no longer proceed. The shadow, in this case, was not a fear of repercussion. It was as if, most reluctantly, I was receiving a new vibration or frequency from the planetary shimmer. The novella was a satire called The Unknown Known

Secretary Rumsfeld was unfairly ridiculed, some thought, for his haiku-like taxonomy of the terrorist threat:

'The message is: there are known "knowns". There are things that we know that we know. There are known unknowns. That is to say, there are things that we know we don't know. But there are also unknown unknowns. There are things we don't know we don't know.'

Like his habit of talking in 'the third person passive once removed', this is 'very Rumsfeldian'. And Rumsfeld can be even more Rumsfeldian than that. According to Bob Woodward's Plan of Attack, at a closed-door senatorial briefing in September 2002 (the idea was to sell regime-change in Iraq), Rumsfeld exasperated everyone present with a torrent of Rumsfeldisms, including the following strophe: 'We know what we know, we know there are things we do not know, and we know there are things we know we don't know we don't know.' Anyway, the three categories remain quite helpful as analytical tools. And they certainly appealed very powerfully to the narrator of The Unknown Known - Ayed, a diminutive Islamist terrorist who plies his trade in Waziristan, the rugged northern borderland where Osama bin Laden is still rumoured to lurk.

Ayed's outfit, which is called 'the "Prism"', used to consist of three sectors named, not very imaginatively, Sector One, Sector Two and Sector Three. But Ayed and his colleagues are attentive readers of the Western press, and the sectors now have new titles. Known Knowns (sector one) concerns itself with daily logistics: bombs, mines, shells, and various improvised explosive devices. The work of Known Unknowns (sector two) is more peripatetic and long-term; it involves, for example, trolling around North Korea in the hope of procuring the fabled 25 kilograms of enriched uranium, or going from factory to factory in Uzbekistan on a quest for better toxins and asphyxiants. In Known Knowns, the brothers are plagued by fires and gas-leaks and almost daily explosions; the brothers in Known Unknowns are racked by headaches and sore throats, and their breath, tellingly, is rich with the aroma of potent coughdrops, moving about as they do among vats of acids and bathtubs of raw pesticides. Everyone wants to work where Ayed works, which is in sector three, or Unknown Unknowns. Sector three is devoted to conceptual breakthroughs - to shifts in the paradigm.

Shifts in the paradigm like the attack of 11 September 2001. Paradigm shifts open a window; and, once opened, the window will close. Ayed observes that 11 September was instantly unrepeatable; indeed, the tactic was obsolete by 10am the same morning. Its efficacy lasted for 71 minutes, from 8.46, when American 11 hit the North Tower, to 9.57, and the start of the rebellion on United 93. On United 93, the passengers were told about the new reality by their mobile phones, and they didn't linger long in the old paradigm - the four-day siege on the equatorial tarmac, the diminishing supplies of food and water, the festering toilets, the conditions and demands, the phased release of the children and the women; then the surrender, or the clambering commandos. No, they knew that they weren't on a commercial aircraft, not any longer; they were on a missile. So they rose up. And at 10.03 United 93 came down on its back at 580mph, in Shanksville, Pennsylvania, 20 minutes from the Capitol.

I found it reassuringly difficult, dreaming up paradigm shifts. And Ayed and his friends in sector three find it difficult too. Synergy, maximalisation - these are the kinds of concept that are tossed from cushion to floormat in Unknown Unknowns. Here, a comrade argues for the dynamiting of the San Andreas Fault; there, another envisages the large-scale introduction of rabies (admixed with smallpox, methamphetamine and steroids) to the fauna of Central Park. A pensive silence follows. And very often these silences last for days on end. All you can hear, in Unknown Unknowns, is the occasional swatting palm-clap, or the crackle of a beetle being ground underfoot. Ayed feels, or used to feel, superior to his colleagues, because he has already had his eureka moment. He had it in the spring of 2001, and his project - his 'baby', if you will - was launched in the summer of that year, and is still in progress. It has a codename: UU: CRs/G,C.

Ayed's conceptual breakthrough did not go down at all well in Sector Three, as it was then called; in fact, it was widely mocked. But Ayed used a family connection, and gained an audience with Mullah Omar, the one-eyed Islamist cleric who briefly ruled Afghanistan - an imposing figure, in his dishdash and flipflops. Ayed submitted his presentation, and, to his astonishment, Mullah Omar smiled on his plan. This was a necessary condition, because Ayed's paradigm shift could only be realised with the full resources of a nation state. UU: CRs/G,C went ahead. The idea was, as Ayed would say, deceptively simple. The idea was to scour all the prisons and madhouses for every compulsive rapist in the country, and then unleash them on Greeley, Colorado.

As the story opens, the CRs have been en route to G,C for almost five years, crossing central Africa, in minibuses and on foot, and suffering many a sanguinary reverse (a host of some 30,000 Janjaweed in Sudan, a 'child militia', armed with pangas, in Congo). On top of all this, as if he didn't have enough to worry about, Ayed is not getting on very well with his wives.

Those who know the field will be undismayed by the singling out of Greeley, Colorado. For it was in Greeley, Colorado, in 1949, that Islamism, as we now know it, was decisively shaped. The story is grotesque and incredible - but then so are its consequences. And let us keep on telling ourselves how grotesque and incredible it is, our current reality, so unforeseeable, so altogether unknowable, even from the vantage of the late Nineties. At that time, if you recall, America had so much leisure on its hands, politically and culturally, that it could dedicate an entire year to Monica Lewinsky. Even Monica, it now seems, even Bill, were living in innocent times.

Since then the world has undergone a moral crash - the spiritual equivalent, in its global depth and reach, of the Great Depression of the Thirties. On our side, extraordinary rendition, coercive psychological procedures, enhanced interrogation techniques, Guantanamo, Abu Ghraib, Haditha, Mahmudiya, two wars, and tens of thousands of dead bodies. All this should of course be soberly compared to the feats of the opposed ideology, an ideology which, in its most millennial form, conjures up the image of an abattoir within a madhouse. I will spell this out, because it has not been broadly assimilated. The most extreme Islamists want to kill everyone on earth except the most extreme Islamists; but every jihadi sees the need for eliminating all non-Muslims, either by conversion or by execution. And we now know what happens when Islamism gets its hands on an army (Algeria) or on something resembling a nation state (Sudan). In the first case, the result was fratricide, with 100,000 dead; in the second, following the Islamist coup in 1989, the result has been a kind of rolling genocide, and the figure is perhaps two million. And it all goes back to Greeley, Colorado, and to Sayyid Qutb.

Things started to go wrong for poor Sayyid during the Atlantic crossing from Alexandria, when, allegedly, 'a drunken, semi-naked woman' tried to storm his cabin. But before we come to that, some background. Sayyid Qutb, in 1949, had just turned 43. His childhood was provincial and devout. When, as a young man, he went to study in Cairo, his leanings became literary and Europhone and even mildly cosmopolitan. Despite an early - and routinely baffling - admiration for naturism, he was already finding Cairene women 'dishonourable', and confessed to unhappiness about 'their current level of freedom'. A short story recorded his first disappointment in matters of the heart; its title, plangently, was Thorns. Well, we've all had that; and most of us then adhere to the arc described in Peter Porter's poem, 'Once Bitten, Twice Bitten'.But Sayyid didn't need much discouragement. Promptly giving up all hope of coming across a woman of 'sufficient' moral cleanliness, he resolved to stick to virginity.

Established in a modest way as a writer, Sayyid took a job at the Ministry of Education. This radicalised him. He felt oppressed by the vestiges of the British protectorate in Egypt, and was alarmist about the growing weight of the Jewish presence in Palestine - another British crime, in Sayyid's view. He became an activist, and ran some risk of imprisonment (at the hands of the saturnalian King Farouk), before the ministry packed him off to America to do a couple of years of educational research. Prison, by the way, would claim him soon after his return. He was one of the dozens of Muslim Brothers jailed (and tortured) after the failed attempt on the life of the moderniser and secularist, Nasser, in October 1954. There was a short reprieve in 1964, but Sayyid was soon rearrested - and retortured. Steelily dismissing a clemency deal brokered by none other than the young Anwar Sadat, he was hanged in August 1966; and this was a strategic martyrdom that now lies deep in the Islamist soul. His most influential book, like the book with which it is often compared, was written behind bars. Milestones is known as the Mein Kampf of Islamism.

Sayyid was presumably still sorely shaken by the birth of Israel (after the defeat of Egypt and five other Arab armies), but at first, on the Atlantic crossing, he felt a spiritual expansion. His encyclopedic commentary, In the Shade of the Koran, would fondly and ramblingly recall the renewal of his sense of purpose and destiny. Early on, he got into a minor sectarian battle with a proselytising Christian; Sayyid retaliated by doing a bit of proselytising himself, and made some progress with a contingent of Nubian sailors. Then came the traumatic incident with the drunken, semi-naked woman. Sayyid thought she was an American agent hired to seduce him, or so he later told his biographer, who wrote that 'the encounter successfully tested his resolve to resist experiences damaging to his identity as an Egyptian and a Muslim'. God knows what the episode actually amounted to. It seems probable that the liquored-up Mata Hari, the dipsomaniacal nudist, was simply a woman in a cocktail dress who, perhaps, had recently drunk a cocktail. Still, we can continue to imagine Sayyid barricading himself into his cabin while, beyond the door, the siren sings her song.

He didn't like New York: materialistic, mechanistic, trivial, idolatrous, wanton, depraved, and so on and so forth. Washington was a little better. But here, sickly Sayyid (lungs) was hospitalised, introducing him to another dire hazard that he wouldn't have faced at home: female nurses. One of them, tricked out with 'thirsty lips, bulging breasts, smooth legs' and a coquettish manner ('the calling eye, the provocative laugh'), regaled him with her wish-list of endowments for the ideal lover. But 'the father of Islamism', as he is often called, remained calm, later developing the incident into a diatribe against Arab men who succumb to the allure of American women. In an extraordinary burst of mendacity or delusion, Sayyid claimed that the medical staff heartlessly exulted at the news of the assassination, back in Egypt, of Hasan al-Banna. We may wonder how likely it is that any American would have heard of al-Banna, or indeed of the Muslim Brotherhood, which he founded. When Sayyid was discharged from George Washington University Hospital, he probably thought the worst was behind him. But now he proceeded to the cauldron - to the pullulating hellhouse - of Greeley, Colorado.

During his six months at the Colorado State College of Education (and thereafter in California), Sayyid's hungry disapproval found a variety of targets. American lawns (a distressing example of selfishness and atomism), American conversation ('money, movie stars and models of cars'), American jazz ('a type of music invented by Blacks to please their primitive tendencies - their desire for noise and their appetite for sexual arousal'), and, of course, American women: here another one pops up, telling Sayyid that sex is merely a physical function, untrammelled by morality. American places of worship he also detests (they are like cinemas or amusement arcades), but by now he is pining for Cairo, and for company, and he does something rash. Qutb joins a club - where an epiphany awaits him. 'The dance is inflamed by the notes of the gramophone,' he wrote; 'the dance-hall becomes a whirl of heels and thighs, arms enfold hips, lips and breasts meet, and the air is full of lust.' You'd think that the father of Islamism had exposed himself to an early version of Studio 54 or even Plato's Retreat. But no: the club he joined was run by the church, and what he is describing, here, is a chapel hop in Greeley, Colorado. And Greeley, Colorado, in 1949, was dry

'And the air is full of lust.' 'Lust' is Bernard Lewis's translation, but several other writers prefer the word 'love'. And while lust has greater immediate impact, love may in the end be more resonant. Why should Qutb mind if the air is full of love? We are forced to wonder whether love can be said to exist, as we understand it, in the ferocious patriarchy of Islamism. If death and hate are the twin opposites of love, then it may not be merely whimsical and mawkish to suggest that the terrorist, the bringer of death and hate, the death-hate cultist, is in essence the enemy of love. Qutb:

'A girl looks at you, appearing as if she were an enchanting nymph or an escaped mermaid, but as she approaches, you sense only the screaming instinct inside her, and you can smell her burning body, not the scent of perfume but flesh, only flesh.'

In his excellent book, Terror and Liberalism, Paul Berman has many sharp things to say about the corpus of Sayyid Qutb; but he manages to goad himself into receptivity, and ends up, in my view, sounding almost absurdly respectful - 'rich, nuanced, deep, soulful, and heartfelt'. Qutb, who would go on to write a 30-volume gloss on it, spent his childhood memorising the Koran. He was 10 by the time he was done. Now, given that, it seems idle to expect much sense from him; and so it proves. On the last of the 46 pages he devotes to Qutb, Berman wraps things up with a long quotation. This is its repetitive first paragraph:

'The Surah [the sayings of the Prophet] tells the Muslims that, in the fight to uphold God's universal Truth, lives will have to be sacrificed. Those who risk their lives and go out to fight, and who are prepared to lay down their lives for the cause of God, are honourable people, pure of heart and blessed of soul. But the great surprise is that those among them who are killed in the struggle must not be considered or described as dead. They continue to live, as God Himself clearly states.'

Savouring that last phrase, we realise that any voyage taken with Sayyid Qutb is doomed to a leaden-witted circularity. The emptiness, the mere iteration, at the heart of his philosophy is steadily colonised by a vast entanglement of bitternesses; and here, too, we detect the presence of that peculiarly Islamist triumvirate (codified early on by Christopher Hitchens) of self-righteousness, self-pity, and self-hatred - the self-righteousness dating from the seventh century, the self-pity from the 13th (when the 'last' Caliph was kicked to death in Baghdad by the Mongol warlord Hulagu), and the self-hatred from the 20th. And most astounding of all, in Qutb, is the level of self-awareness, which is less than zero. It is as if the very act of self-examination were something unmanly or profane: something unrighteous, in a word.

Still, one way or the other, Qutb is the father of Islamism. Here are the chief tenets he inspired: that America, and its clients, are jahiliyya (the word classically applied to pre-Muhammadan Arabia - barbarous and benighted); that America is controlled by Jews; that Americans are infidels, that they are animals, and, worse, arrogant animals, and are unworthy of life; that America promotes pride and promiscuity in the service of human degradation; that America seeks to 'exterminate' Islam - and that it will accomplish this not by conquest, not by colonial annexation, but by example. As Bernard Lewis puts it in The Crisis of Islam

'This is what is meant by the term the Great Satan, applied to the United States by the late Ayatollah Khomeini. Satan as depicted in the Qur'an is neither an imperialist nor an exploiter. He is a seducer, 'the insidious tempter who whispers in the hearts of men' (Qur'an, CXIV, 4, 5).

Lewis might have added that these are the closing words of the Koran. So they echo.

The West isn't being seductive, of course; all the West is being is attractive. But the Islamist's paranoia extends to a kind of thwarted narcissism. We think again of Qutb's buxom, smooth-legged nurse, supposedly smacking her thirsty lips at the news of the death of Hasan al-Banna. Far from wanting or trying to exterminate it, the West had no views whatever about Islam per se before 11 September 2001. Of course, views were then formulated, and very soon the bestseller list was a column of primers on Islam. Some things take longer to sink in than others, true; but now we know. In the West we had brought into being a society whose main purpose, whose raison d'etre, was the tantalisation of good Muslims.

The theme of the 'tempter' can be taken a little further, in the case of Qutb. When the tempter is a temptress, and really wants you to sin, she needs to be both available and willing. And it is almost inconceivable that poor Sayyid, the frail, humourless civil servant, and turgid anti-semite (salting his talk with quotes from that long-exploded fabrication, The Protocols of the Elders of Zion), ever encountered anything that resembled an offer. It is more pitiful than that. Seduction did not come his way, but it was coming the way of others, he sensed, and a part of him wanted it too. That desire made him very afraid, and also shamed him and dishonoured him, and turned his thoughts to murder. Then the thinkers of Islam took his books and did what they did to them; and Sayyid Qutb is now a part of our daily reality. We should understand that the Islamists' hatred of America is as much abstract as historical, and irrationally abstract, too; none of the usual things can be expected to appease it. The hatred contains much historical emotion, but it is their history, and not ours, that haunts them.

Qutb has perhaps a single parallel in world history. Another shambling invert, another sexual truant (not a virgin but a career cuckold), another marginal quack and dabbler (talentless but not philistine), he too wrote a book, in prison, that fell into the worst possible hands. His name was Nikolai Chernyshevsky; and his novel (What Is To Be Done?) was read five times by Vladimir Lenin in the course of a single summer. It was Chernyshevsky who determined, not the content, but the emotional dynamic of the Soviet experiment. The centennial of his birth was celebrated with much pomp in the USSR. That was in 1928. But Russia was too sad, and too busy, to do much about the centennial of his death, which passed quietly in 1989.
In The Unknown Known my diminutive terrorist, Ayed, is not a virgin (or a Joseph, as Christians say), unlike Sayyid, on whom he is tangentially based. He is, rather, a polygamist, confining himself to the sanctioned maximum of four. On top of this, he indulges himself, whenever he has enough spare cash, with a succession of 'temporary wives'. The practice is called mutah. In her justly celebrated book, Reading Lolita in Tehran, Azar Nafisi tells us that a temporary marriage can endure for 99 years; it can also be over in half an hour. The Islamic Republic is very attentive to what it calls 'men's needs'. Before the Revolution, a girl could get married at the age of 18. After 1979 the age requirement was halved.

In Beyond Belief: Islamic Excursions Among the Converted Peoples, VS Naipaul looks at some of the social results of polygamy, in Pakistan, and notes that the marriages tend to be serial. The man moves on, 'religiously tomcatting away'; and the consequence is a society of 'half-orphans'. Divorce is in any case unarduous: 'a man who wanted to get rid of his wife could accuse her of adultery and have her imprisoned'. It is difficult to exaggerate the sexualisation of Islamist governance, even among the figures we think of as moderate. Type in 'sex' and 'al-Sistani', and prepare yourself for a cataract of pedantry and smut.

As the narrative opens, Ayed is very concerned about the state of his marriages. But there's a reason for that. When Ayed was a little boy, in the early Eighties, his dad, a talented poppy-farmer, left Waziristan with his family and settled in Greeley, Colorado. This results in a domestic blow to Ayed's self-esteem. Back home in Waziristan, a boy of his age would be feeling a lovely warm glow of pride, around now, as he realises that his sisters, in one important respect, are just like his mother: they can't read or write either. In America, though, the girls are obliged to go to school. Before Ayed knows it, the women have shed their veils, and his sisters are being called on by gum-chewing kaffirs. Now puberty looms.

There is almost an entire literary genre given over to sensibilities such as Sayyid Qutb's. It is the genre of the unreliable narrator - or, more exactly, the transparent narrator, with his helpless giveaways. Typically, a patina of haughty fastidiousness strives confidently but in vain to conceal an underworld of incurable murk. In The Unknown Known I added to this genre, and with enthusiasm. I had Ayed stand for hours in a thicket of nettles and poison ivy, beneath an elevated walkway, so that he could rail against the airiness of the summer frocks worn by American women and the shameless brevity of their underpants. I had him go out in all weathers for evening strolls, strolls gruellingly prolonged until, with the help of a buttress or a drainpipe, he comes across a woman 'quite openly' undressing for bed. Meanwhile, his sisters are all dating. The father and the brothers discuss various courses of action, such as killing them all; but America, bereft of any sense of honour, would punish them for that. The family bifurcates; Ayed returns to the rugged borderland, joins 'the "Prism"', and courts his quartet of nine-year-old sweethearts.

As Ayed keeps telling all his temporary wives, 'My wives don't understand me.' And they don't; indeed, they all want divorces, and for the same embarrassing reason. With his paradigm-shift attack on America now in ruins, and facing professional and social disgrace, Ayed suddenly sees how, in one swoop, he can redeem himself - and secure his place in history with an unknown unknown which is sure to succeed. For this he will be needing a belt

Two years ago I came across a striking photograph in a news magazine: it looked like a crudely cross-sectioned watermelon, but you could make out one or two humanoid features half-submerged in the crimson pulp. It was in fact the bravely circularised photograph of the face of a Saudi newscaster who had been beaten by her husband. In an attempted murder, it seems: at the time of his arrest he had her in the trunk of his car, and was evidently taking her into the desert for interment. What had she done to bring this on herself? In the marital home, that night, the telephone rang and the newscaster, a prosperous celebrity in her own right, answered it. She had answered the telephone. Male Westerners will be struck, here, by a dramatic cultural contrast. I know that I, for one, would be far more likely to beat my wife to death if she hadn't answered the telephone. But customs and mores vary from country to country, and you cannot reasonably claim that one ethos is 'better' than any other.

In 1949 Greeley was dry... It has been seriously suggested, by serious commentators, that suicide-mass murderers are searching for the simplest means of getting a girlfriend. It may be, too, that some of them are searching for the simplest means of getting a drink. Although alcohol, like extramarital sex, may be strictly forbidden in life, there is, in death, no shortage of either. As well as the Koranic virgins, 'as chaste', for the time being, 'as the sheltered eggs of ostriches', there is also a 'gushing fountain' of white wine (wine 'that will neither pain their heads nor take away their reason'). The suicide-mass murderer can now raise his brimming 'goblet' to an additional reward: he has the power, post mortem, to secure paradisal immortality for a host of relations (the number is a round 70, two fewer, curiously, than the traditional allotment of houris). Nor is this his only service to the clan, which, until recently, could expect an honorarium of $20,000 from Iraq, plus $5,000 from Saudi Arabia - as well as the vast prestige automatically accorded to the family of a martyr. And then there is the enticement, or incitement, of peer-group prestige.

Suicide-mass murder is astonishingly alien, so alien, in fact, that Western opinion has been unable to formulate a rational response to it. A rational response would be something like an unvarying factory siren of unanimous disgust. But we haven't managed that. What we have managed, on the whole, is a murmur of dissonant evasion. Paul Berman's best chapter, in Terror and Liberalism, is mildly entitled 'Wishful Thinking' - and Berman is in general a mild-mannered man. But this is a very tough and persistent analysis of our extraordinary uncertainty. It is impossible to read it without cold fascination and a consciousness of disgrace. I felt disgrace, during its early pages, because I had done it too, and in print, early on. Contemplating intense violence, you very rationally ask yourself, what are the reasons for this? And compassionately frowning newscasters are still asking that same question. It is time to move on. We are not dealing in reasons because we are not dealing in reason.

After the failure of Oslo, and the attendant consolidation of Hamas, the second intifada ('earthquake') got under way in 2001, not with stonings and stabbings, like the first, but with a steady campaign of suicide-mass murder. 'All over the world,' writes Berman, 'the popularity of the Palestinian cause did not collapse. It increased.' The parallel process was the intensive demonisation of Israel (academic ostracism, and so on); every act of suicide-mass murder 'testified' to the extremity of the oppression, so that 'Palestinian terror, in this view, was the measure of Israeli guilt'. And when Sharon replaced Barak, and the expected crackdown began, and the Israeli army, with 23 casualties of its own, killed 52 Palestinians in the West Bank city of Jenin, the attack 'was seen as a veritable Holocaust, an Auschwitz, or, in an alternative image, as the Middle Eastern equivalent of the Wehrmacht's assault on the Warsaw Ghetto. These tropes were massively accepted, around the world. Typing in the combined names of "Jenin" and "Auschwitz"... I came up with 2,890 references; and, typing in "Jenin" and "Nazi", I came up with 8,100 references. There were 63,100 references to the combined names of "Sharon" and "Hitler".' Once the redoubled suppression had taken hold, the human bombings decreased; and world opinion quietened down. The Palestinians were now worse off than ever, their societal gains of the Nineties 'flattened by Israeli tanks'. But the protests 'rose and fell in tandem with the suicide bomb attacks, and not in tandem with the suffering of the Palestinian people'.

This was because suicide-mass murder presented the West with a philosophical crisis. The quickest way out of it was to pretend that the tactic was reasonable, indeed logical and even admirable: an extreme case of 'rationalist naivete', in Berman's phrase. Rationalist naivete was easier than the assimilation of the alternative: that is to say, the existence of a pathological cult. Berman assembles many voices. And if we are going to hear the rhetoric of delusion and self-hypnosis, then we might as well hear it from a Stockholm Laureate - the Portuguese novelist Jose Saramago. Again erring on the side of indulgence, Berman is unnecessarily daunted by the pedigree of Saramago's prose, which is in fact the purest and snootiest bombast (you might call it Nobelese). Here he focuses his lofty gaze on the phenomenon of suicide-mass murder:

'Ah, yes, the horrendous massacres of civilians caused by the so-called suicide terrorists... Horrendous, yes, doubtless; condemnable, yes, doubtless, but Israel still has a lot to learn if it is not capable of understanding the reasons that can bring a human being to turn himself into a bomb.'

Palestinian society has channelled a good deal of thought and energy into the solemnisation of suicide-mass murder, a process which begins in kindergarten. Naturally, one would be reluctant to question the cloudless piety of the Palestinian mother who, having raised one suicide-mass murderer, expressed the wish that his younger brother would become a suicide-mass murderer too. But the time has come to cease to respect the quality of her 'rage' - to cease to marvel at the unhingeing rigour of Israeli oppression, and to start to marvel at the power of an entrenched and emulous ideology, and a cult of death. And if oppression is what we're interested in, then we should think of the oppression, not to mention the life-expectancy (and, God, what a life), of the younger brother. There will be much stopping and starting to do. It is painful to stop believing in the purity, and the sanity, of the underdog. It is painful to start believing in a cult of death, and in an enemy that wants its war to last for ever.

Suicide-mass murder is more than terrorism: it is horrorism. It is a maximum malevolence. The suicide-mass murderer asks his prospective victims to contemplate their fellow human being with a completely new order of execration. It is not like looking down the barrel of a gun. We can tell this is so, because we see what happens, sometimes, when the suicide-mass murderer isn't even there - as in the amazingly summary injustice meted out to the Brazilian Jean Charles de Menezes in London. An even more startling example was the rumour-ignited bridge stampede in Baghdad (31 August 2005). This is the superterror inspired by suicide-mass murder: just whisper the words, and you fatally trample a thousand people. And it remains an accurate measure of the Islamists' contortion: they hold that an act of lethal self-bespatterment, in the interests of an unachievable 'cause', brings with it the keys to paradise. Sam Harris, in The End of Faith: Religion, Terror, and the Future of Reason, stresses just how thoroughly and expeditiously the suicide-mass murderer is 'saved'. Which would you prefer, given belief?

'... martyrdom is the only way that a Muslim can bypass the painful litigation that awaits us all on the Day of Judgment and proceed directly to heaven. Rather than spend centuries mouldering in the earth in anticipation of being resurrected and subsequently interrogated by wrathful angels, the martyr is immediately transported to Allah's garden...'

Osama bin Laden's table talk, at Tarnak Farms in Afghanistan, where he trained his operatives before September 2001, must have included many rolling paragraphs on Western vitiation, corruption, perversion, prostitution, and all the rest. And in 1998, as season after season unfolded around the president's weakness for fellatio, he seemed to have good grounds for his most serious miscalculation: the belief that America was a softer antagonist than the USSR (in whose defeat, incidentally, the 'Arab Afghans' played a negligible part). Still, a sympathiser like the famously obtuse 'American Taliban' John Walker Lindh, if he'd been there, and if he'd been a little brighter, might have framed the following argument.

Now would be a good time to strike, John would tell Osama, because the West is enfeebled, not just by sex and alcohol, but also by 30 years of multicultural relativism. They'll think suicide bombing is just an exotic foible, like shame-and-honour killings or female circumcision. Besides, it's religious, and they're always slow to question anything that calls itself that. Within days of our opening outrage, the British royals will go on the road for Islam, and stay on it. And you'll be amazed by how long the word Islamophobia, as an unanswerable indictment, will cover Islamism too. It'll take them years to come up with the word they want - and Islamismophobia clearly isn't any good. Even if the Planes Operation succeeds, and thousands die, the Left will yawn and wonder why we waited so long. Strike now. Their ideology will make them reluctant to see what it is they confront. And it will make them slow learners.

By the summer of 2005, suicide-mass murder had evolved. In Iraq, foreign jihadis, pilgrims of war, were filing across the borders to be strapped up with explosives and nails and nuts and bolts, often by godless Baathists with entirely secular aims - to be primed like pieces of ordnance and then sent out the same day to slaughter their fellow Muslims. Suicide-mass murder, in other words, had passed through a phase of decadence and was now on the point of debauchery. In a single month (May), there were more human bombings in Iraq than during the entire intifada. And this, on 25 July, was the considered response of the Mayor of London to the events of 7 July:

'Given that they don't have jet planes, don't have tanks, they only have their bodies to use as weapons. In an unfair balance, that's what people use.'

I remember a miserable little drip of a poem, c2002, that made exactly the same case. No, they don't have F-16s. Question: would the Mayor like them to have F-16s? And, no, their bodies are not what 'people' use. They are what Islamists use. And we should weigh, too, the spiritual paltriness of such martyrdoms. 'Martyr' means witness. The suicide-mass murderer witnesses nothing - and sacrifices nothing. He dies for vulgar and delusive gain. And on another level, too, the rationale for 'martyrdom operations' is a theological sophistry of the blackest cynicism. Its aim is simply the procurement of delivery systems.

Our ideology, which is sometimes called Westernism, weakens us in two ways. It weakens our powers of perception, and it weakens our moral unity and will. As Harris puts it:

'Sayyid Qutb, Osama bin Laden's favourite philosopher, felt that pragmatism would spell the death of American civilisation... Pragmatism, when civilisations come clashing, does not appear likely to be very pragmatic. To lose the conviction that you can actually be right - about anything - seems a recipe for the End of Days chaos envisioned by Yeats: when "the best lack all conviction, while the worst are full of passionate intensity".'

The opening argument we reach for now, in explaining any conflict, is the argument of moral equivalence. No value can be allowed to stand in stone; so we begin to question our ability to identify even what is malum per se. Prison beatings, too, are evil in themselves, and so is the delegation of torture, and murder, to less high-minded and (it has to be said) less hypocritical regimes. In the kind of war that we are now engaged in, an episode like Abu Ghraib is more than a shameful deviation - it is the equivalent of a lost battle. Our moral advantage, still vast and obvious, is not a liability, and we should strengthen and expand it. Like our dependence on reason, it is a strategic strength, and it shores up our legitimacy.

There is another symbiotic overlap between Islamist praxis and our own, and it is a strange and pitiable one. I mean the drastic elevation of the nonentity. In our popularity-contest culture, with its VIP ciphers and meteoric mediocrities, we understand the attractions of baseless fame - indeed, of instant and unearned immortality. To feel that you are a geohistorical player is a tremendous lure to those condemned, as they see it, to exclusion and anonymity. In its quieter way, this was perhaps the key component of the attraction of Western intellectuals to Soviet Communism: 'join', and you are suddenly a contributor to planetary events. As Muhammad Atta steered the 767 towards its destination, he was confident, at least, that his fellow town-planners, in Aleppo, would remember his name, along with everybody else on earth. Similarly, the ghost of Shehzad Tanweer, as it watched the salvage teams scraping up human remains in the rat-infested crucible beneath the streets of London, could be sure that he had decisively outsoared the fish-and-shop back in Leeds. And that other great nothingness, Osama bin Laden - he is ever-living.

In July 2005 I flew from Montevideo to New York - and from winter to summer - with my six-year-old daughter and her eight-year-old sister. I drank a beer as I stood in the check-in queue, a practice not frowned on at Carrasco (though it would certainly raise eyebrows at, say, the dedicated Hajj terminal in Tehran's Mehrabad); then we proceeded to Security. Now I know some six-year-old girls can look pretty suspicious; but my youngest daughter isn't like that. She is a slight little blonde with big brown eyes and a quavery voice. Nevertheless, I stood for half an hour at the counter while the official methodically and solemnly searched her carry-on rucksack - staring shrewdly at each story-tape and crayon, palpating the length of all four limbs of her fluffy duck.

There ought to be a better word than boredom for the trance of inanition that weaved its way through me. I wanted to say something like, 'Even Islamists have not yet started to blow up their own families on aeroplanes. So please desist until they do. Oh yeah: and stick to people who look like they're from the Middle East.' The revelations of 10 August 2006 were 13 months away. And despite the exposure and prevention of their remarkably ambitious bloodbath of the innocent (the majority of them women and children), the (alleged) Walthamstow jihadis did not quite strive in vain. The failed to promote terror, but they won a great symbolic victory for boredom: the banning of books on the seven-hour flight from England to America.

My daughters and I arrived safely in New York. In New York, at certain subway stations, the police were searching all the passengers, to thwart terrorism - thus obliging any terrorist to walk the couple of blocks to a subway station where the police weren't searching all the passengers. And I couldn't defend myself from a vision of the future; in this future, riding a city bus will be like flying El Al. In the guilty safety of Long Island I watched the TV coverage from my home town, where my other three children live, where I will soon again be living with all five. There were the Londoners, on 8 July, going to work on foot, looking stiff and watchful, and taking no pleasure in anything they saw. Eric Hobsbawm got it right in the mid-Nineties, when he said that terrorism was part of the atmospheric 'pollution' of Western cities. It is a cost-efficient programme. Bomb New York and you pollute Madrid; bomb Madrid and you pollute London; bomb London and you pollute Paris and Rome, and repollute New York. But there was the solace given us by the Mayor. No, we should not be surprised by the use of this sempiternal ruse de guerre. Using their bodies is what people do.

The age of terror, I suspect, will also be remembered as the age of boredom. Not the kind of boredom that afflicts the blasé and the effete, but a superboredom, rounding out and complementing the superterror of suicide-mass murder. And although we will eventually prevail in the war against terror, or will reduce it, as Mailer says, to 'a tolerable level' (this phrase will stick, and will be used by politicians, with quiet pride), we haven't got a chance in the war against boredom. Because boredom is something that the enemy doesn't feel. To be clear: the opposite of religious belief is not atheism or secularism or humanism. It is not an 'ism'. It is independence of mind - that's all. When I refer to the age of boredom, I am not thinking of airport queues and subway searches. I mean the global confrontation with the dependent mind.

One way of ending the war on terror would be to capitulate and convert. The transitional period would be an unsmiling one, no doubt, with much stern work to be completed in the city squares, the town centres, and the village greens. Nevertheless, as the Caliphate is restored in Baghdad, to much joy, the surviving neophytes would soon get used to the voluminous penal code enforced by the Ministry for the Promotion of Virtue and the Suppression of Vice. It would be a world of perfect terror and perfect boredom, and of nothing else - a world with no games, no arts, and no women, a world where the only entertainment is the public execution. My middle daughter, now aged nine, still believes in imaginary beings (Father Christmas, the Tooth Fairy); so she would have that in common, at least, with her new husband.


Like fundamentalist Judaism and medieval Christianity, Islam is totalist. That is to say, it makes a total claim on the individual. Indeed, there is no individual; there is only the umma - the community of believers. Ayatollah Khomeini, in his copious writings, often returns to this theme. He unindulgently notes that believers in most religions appear to think that, so long as they observe all the formal pieties, then for the rest of the time they can do more or less as they please. 'Islam', as he frequently reminds us, 'isn't like that.' Islam follows you everywhere, into the kitchen, into the bedroom, into the bathroom, and beyond death into eternity. Islam means 'submission' - the surrender of independence of mind. That surrender now bears the weight of well over 60 generations, and 14 centuries.

The stout self-sufficiency or, if you prefer, the extreme incuriosity of Islamic culture has been much remarked. Present-day Spain translates as many books into Spanish, annually, as the Arab world has translated into Arabic in the past 1,100 years. And the late-medieval Islamic powers barely noticed the existence of the West until it started losing battles to it. The tradition of intellectual autarky was so robust that Islam remained indifferent even to readily available and obviously useful innovations, including, incredibly, the wheel. The wheel, as we know, makes things easier to roll; Bernard Lewis, in What Went Wrong?, sagely notes that it also makes things easier to steal.

By the beginning of the 20th century the entire Muslim world, with partial exceptions, had been subjugated by the European empires. And at that point the doors of perception were opened to foreign influence: that of Germany. This allegiance cost Islam its last imperium, the Ottoman, for decades a 'helpless hulk' (Hobsbawm), which was duly dismantled and shared out after the First World War - a war that was made in Berlin. Undeterred, Islam continued to look to Germany for sponsorship and inspiration. When the Nazi experiment ended, in 1945, sympathy for its ideals lingered on for years, but Islam was now forced to look elsewhere. It had no choice; geopolitically, there was nowhere else to turn. And the flame passed from Germany to the USSR.

So Islam, in the end, proved responsive to European influence: the influence of Hitler and Stalin. And one hardly needs to labour the similarities between Islamism and the totalitarian cults of the last century. Anti-semitic, anti-

liberal, anti-individualist, anti-democratic, and, most crucially, anti-rational, they too were cults of death, death-driven and death-fuelled. The main distinction is that the paradise which the Nazis (pagan) and the Bolsheviks (atheist) sought to bring about was an earthly one, raised from the mulch of millions of corpses. For them, death was creative, right enough, but death was still death. For the Islamists, death is a consummation and a sacrament; death is a beginning. Sam Harris is right:

'Islamism is not merely the latest flavour of totalitarian nihilism. There is a difference between nihilism and a desire for supernatural reward. Islamists could smash the world to atoms and still not be guilty of nihilism, because everything in their world has been transfigured by the light of paradise...' Pathological mass movements are sustained by 'dreams of omnipotence and sadism', in Robert Jay Lifton's phrase. That is usually enough. Islamism adds a third inducement to its warriors: a heavenly immortality that begins even before the moment of death.

For close to a millennium, Islam could afford to be autarkic. Its rise is one of the wonders of world history - a chain reaction of conquest and conversion, an amassment not just of territory but of millions of hearts and minds. The vigour of its ideal of justice allowed for levels of tolerance significantly higher than those of the West. Culturally, too, Islam was the more evolved. Its assimilations and its learning potentiated the Renaissance - of which, alas, it did not partake. Throughout its ascendancy, Islam was buoyed by what Malise Ruthven, in A Fury for God, calls 'the argument from manifest success'. The fact of expansion underwrote the mandate of heaven. And now, for the past 300 or 400 years, observable reality has propounded a rebuttal: the argument from manifest failure. As one understands it, in the Islamic cosmos there is nothing more painful than the suspicion that something has denatured the covenant with God. This unbearable conclusion must naturally be denied, but it is subliminally present, and accounts, perhaps, for the apocalyptic hurt of the Islamist.

Over the past five years, what we have been witnessing, apart from a moral slump or bust, is a death agony: the death agony of imperial Islam. Islamism is the last wave - the last convulsion. Until 2003, one could take some comfort from the very virulence of the Islamist deformation. Nothing so insanely dionysian, so impossibly poisonous, could expect to hold itself together over time. In the 20th century, outside Africa, the only comparable eruptions of death-hunger, of death-oestrus, were confined to Nazi Germany and Stalinite Kampuchea, the one lasting 12 years, the other three and a half. Hitler, Pol Pot, Osama: such men only ask to be the last to die. But there are some sound reasons for thinking that the confrontation with Islamism will be testingly prolonged.

It is by now not too difficult to trace what went wrong, psychologically, with the Iraq War. The fatal turn, the fatal forfeiture of legitimacy, came not with the mistaken but also cynical emphasis on Saddam's weapons of mass destruction: the intelligence agencies of every country on earth, Iraq included, believed that he had them. The fatal turn was the American President's all too palpable submission to the intoxicant of power. His walk, his voice, his idiom, right up to his mortifying appearance in the flight suit on the aircraft-carrier, USS Abraham Lincoln ('Mission Accomplished') - every dash and comma in his body language betrayed the unscrupulous confidence of the power surge.

We should parenthetically add that Tony Blair succumbed to it too - with a difference. In 'old' Europe, as Rumsfeld insolently called it, the idea of a political class was predicated on the inculcation of checks and balances, of psychic surge-breakers, to limit the corruption that personal paramountcy always entrains. It was not a matter of mental hygiene; everyone understood that a rotting mind will make rotten decisions. Blair knew this. He also knew that his trump was not a high one: the need of the American people to hear approval for the war in an English accent. Yet there he was, helplessly caught up in the slipstream turbulence of George Bush. Rumsfeld, too, visibly succumbed to it. On television, at this time, he looked as though he had just worked his way through a snowball of cocaine. 'Stuff happens,' he said, when asked about the looting of the Mesopotamian heritage in Baghdad - the remark of a man not just corrupted but floridly vulgarised by power. As well as the body language, at this time, there was also the language, the power language, all the way from Bush's 'I want to kick ass' to his 'Bring it on' - a rather blithe incitement, some may now feel, to the armed insurgency.

Contemplating this, one's aversion was very far from being confined to the aesthetic. Much followed from it. And we now know that an atmosphere of boosterist unanimity, of prewar triumphalism, had gathered around the President, an atmosphere in which any counter-argument, any hint of circumspection, was seen as a whimper of weakness or disloyalty. If she were alive, Barbara Tuchman would be chafing to write a long addendum to The March of Folly; but not even she could have foreseen a president who, 'going into this period', 'was praying for strength to do the Lord's will'. A power rush blessed by God - no, not a good ambience for precautions and doubts. At that time, the invasion of Iraq was presented as a 'self-financing' preventive war to enforce disarmament and regime change. Three and a half years later, it is an adventurist and proselytising war, and its remaining goal is the promotion of democracy.

The Iraq project was foredoomed by three intrinsic historical realities. First, the Middle East is clearly unable, for now, to sustain democratic rule - for the simple reason that its peoples will vote against it. Did no one whisper the words, in the Situation Room - did no one say what the scholars have been saying for years? The 'electoral policy' of the fundamentalists, writes Lewis, 'has been classically summarised as "One man (men only), one vote, once."' Or, in Harris's trope, democracy will be 'little more than a gangplank to theocracy'; and that theocracy will be Islamist. Now the polls have closed, and the results are coming in, region-wide. In Lebanon, gains for Hizbollah; in Egypt, gains for Sayyid Qutb's fraternity, the Muslim Brothers; in Palestine, victory for Hamas; in Iran, victory for the soapbox rabble-rouser and primitive anti-semite, Mahmoud Ahmadinejad. In the Iraqi election, Bush and Blair, pathetically, both 'hoped' for Allawi, whose return was 14 per cent.

Second, Iraq is not a real country. It was cobbled together, by Winston Churchill, in the early Twenties; it consists of three separate (Ottoman) provinces, Sunni, Shia, Kurd - a disposition which looks set to resume. Among the words not listened to by the US Administration, we can include those of Saddam Hussein. Even with an apparatus of terror as savage as any in history, even with chemical weapons, helicopter gunships, and mass killings, even with a proven readiness to cleanse, to displace, and to destroy whole ecosystems, Hussein modestly conceded that he found Iraq a difficult country to keep in one piece. As a Sunni military man put it, Iraqis hate Iraq - or 'Iraq', a concept that has brought them nothing but suffering. There is no nationalist instinct; the instinct is for atomisation.

Third, only the sack of Mecca or Medina would have caused more pain to the Islamic heart than the taking, and befouling, of the Iraqi capital, the seat of the Caliphate. We have not heard any discussion, at home, about the creedal significance of Baghdad. But we have had some intimations from the jihadis' front line. In pronouncements that vibrate with historic afflatus, they speak of their joyful embrace of the chance to meet the infidel in the Land Between the Rivers. And, of course, beyond - in Madrid, in Bali (again), in London. It may be that the Coalition adventure has given the enemy a casus belli that will burn for a generation.

There are vast pluralities all over the West that are thirsting for American failure in Iraq - because they hate George Bush. Perhaps they do not realise that they are co-synchronously thirsting for an Islamist victory that will dramatically worsen the lives of their children. And this may come to pass. Let us look at the war, not through bin Laden's eyes, but through the eyes of the cunning of history. From that perspective, 11 September was a provocation. The 'slam dunk', the 'cakewalk' into Iraq amounted to a feint, and a trap. We now know, from various 500-page bestsellers like Cobra II and Fiasco, that the invasion of Iraq was truly incredibly blithe (there was no plan, no plan at all, for the occupation); still, we should not delude ourselves that the motives behind it were dishonourable. This is a familiar kind of tragedy. The Iraq War represents a gigantic contract, not just for Halliburton, but also for the paving company called Good Intentions. We must hope that something can be salvaged from it, and that our ethical standing can be reconsolidated. Iraq was a divagation in what is being ominously called the Long War. To our futile losses in blood, treasure and moral prestige, we can add the loss in time; and time, too, is blood.

An idea presents itself about a better direction to take. And funnily enough its current champion is the daughter of the dark genius behind the disaster in Iraq: she is called Liz Cheney. Before we come to that, though, we must briefly return to Ayed, and his belt, and to some quiet thoughts about the art of fiction.

The 'belt' ending of The Unknown Known came to me fairly late. But the belt was already there, and prominently. All writers will know exactly what this means. It means that the subconscious had made a polite suggestion, a suggestion that the conscious mind had taken a while to see. Ayed's belt, purchased by mail-order in Greeley, Colorado, is called a 'RodeoMaMa', and consists of a 'weight strap' and the pommel of a saddle. Ayed is of that breed of men which holds that a husband should have sex with his wives every night. And his invariable use of the 'RodeoMaMa' is one of the reasons for the rumble of mutiny in his marriages.

Looking in at the longhouse called Known Knowns, Ayed retools his 'RodeoMaMa'. He goes back to the house and summons his wives - for the last time. Thus Ayed gets his conceptual breakthrough, his unknown unknown: he is the first to bring martyrdom operations into the setting of his own home.

I could write a piece almost as long as this one about why I abandoned The Unknown Known. The confirmatory moment came a few weeks ago: the freshly fortified suspicion that there exists on our planet a kind of human being who will become a Muslim in order to pursue suicide-mass murder. For quite a time I have felt that Islamism was trying to poison the world. Here was a sign that the poison might take - might mutate, like bird flu. Islam, as I said, is a total system, and like all such it is eerily amenable to satire. But with Islamism, with total malignancy, with total terror and total boredom, irony, even militant irony (which is what satire is), merely shrivels and dies.

In Twentieth Century the late historian JM Roberts took an unsentimental line on the Chinese Revolution:

'More than 2,000 years of remarkable historical continuities lie behind [it], which, for all its cost and cruelty, was a heroic endeavour, matched in scale only by such gigantic upheavals as the spread of Islam, or Europe's assault on the world in early modern times.'

The cost and cruelty, according to Jung Chang and Jon Halliday's recent biography, amounted, perhaps, to 70 million lives in the Mao period alone. Yet this has to be balanced against 'the weight of the past' - nowhere heavier than in China:

'Deliberate attacks on family authority... were not merely attempts by a suspicious regime to encourage informers and delation, but attacks on the most conservative of all Chinese institutions. Similarly, the advancement of women and propaganda to discourage early marriage had dimensions going beyond 'progressive' feminist ideas or population control; they were an assault on the past such as no other revolution had ever made, for in China the past meant a role for women far inferior to those of pre-revolutionary America, France or even Russia.'

There is no momentum, in Islam, for a reformation. And there is no time, now, for a leisurely, slow-lob enlightenment. The necessary upheaval is a revolution - the liberation of women. This will not be the work of a decade or even a generation. Islam is a millennium younger than China. But we should remind ourselves that the Chinese Revolution took half a century to roll through its villages.

In 2002 the aggregate GDP of all the Arab countries was less than the GDP of Spain; and the Islamic states lag behind the West, and the Far East, in every index of industrial and manufacturing output, job creation, technology, literacy, life-expectancy, human development, and intellectual vitality. (A recondite example: in terms of the ownership of telephone lines, the leading Islamic nation is the UAE, listed in 33rd place, between Reunion and Macau.) Then, too, there is the matter of tyranny, corruption, and the absence of civil rights and civil society. We may wonder how the Islamists feel when they compare India to Pakistan, one a burgeoning democratic superpower, the other barely distinguishable from a failed state. What Went Wrong? asked Bernard Lewis, at book length. The broad answer would be institutionalised irrationalism; and the particular focus would be the obscure logic that denies the Islamic world the talent and energy of half its people. No doubt the impulse towards rational inquiry is by now very weak in the rank and file of the Muslim male. But we can dwell on the memory of those images from Afghanistan: the great waves of women hurrying to school.

The connection between manifest failure and the suppression of women is unignorable. And you sometimes feel that the current crux, with its welter of insecurities and nostalgias, is little more than a pre-emptive tantrum - to ward off the evacuation of the last sanctum of power. What would happen if we spent some of the next 300 billion dollars (this is Liz Cheney's thrust) on the raising of consciousness in the Islamic world? The effect would be inherently explosive, because the dominion of the male is Koranic - the unfalsifiable word of God, as dictated to the Prophet:

'Men have authority over women because God has made the one superior to the other, and because they spend their wealth to maintain them. Good women are obedient. They guard their unseen parts because God has guarded them. As for those from whom you fear disobedience, admonish them, forsake them in beds apart, and beat them. Then if they obey you, take no further action against them. Surely God is high, supreme' (4:34).

Can we imagine seeing men on the march in defence of their right to beat their wives? And if we do see it, then what? Would that win hearts and minds? The martyrs of this revolution would be sustained by two obvious truths: the binding authority of scripture, all over the world, is very seriously questioned; and women, by definition, are not a minority. They would know, too, that their struggle is a heroic assault on the weight of the past - the alpweight of 14 centuries.

Attentive readers may have asked themselves what it is, this ridiculous category, the unknown known. The unknown known is paradise, scriptural inerrancy, God. The unknown known is religious belief.

All religions are violent; and all ideologies are violent. Even Westernism, so impeccably bland, has violence glinting within it. This is because any belief system involves a degree of illusion, and therefore cannot be defended by mind alone. When challenged, or affronted, the believer's response is hormonal; and the subsequent collision will be one between a brain and a cat's cradle of glands. I will never forget the look on the gatekeeper's face, at the Dome of the Rock in Jerusalem, when I suggested, perhaps rather airily, that he skip some calendric prohibition and let me in anyway. His expression, previously cordial and cold, became a mask; and the mask was saying that killing me, my wife, and my children was something for which he now had warrant. I knew then that the phrase 'deeply religious' was a grave abuse of that adverb. Something isn't deep just because it's all that is there; it is more like a varnish on a vacuum. Millennial Islamism is an ideology superimposed upon a religion - illusion upon illusion. It is not merely violent in tendency. Violence is all that is there.

In Philip Larkin's 'Aubade' (1977), the poet, on waking, contemplates 'unresting death, a whole day nearer now':

This is a special way of being afraid

No trick dispels. Religion used to try,

That vast moth-eaten musical brocade

Created to pretend we never die...

Much earlier, in 'Church Going' (1954), examining his habit of visiting country churches and the feelings they arouse in him (chiefly bafflement and boredom), he was able to frame a more expansive response:

It pleases me to stand in silence here;

A serious house on serious earth it is,

In whose blent air all our compulsions meet,

Are recognised, and robed as destinies.

And that much never can be obsolete,

Since someone will forever be surprising

A hunger in himself to be more serious,

And gravitating with it to this ground,

Which, he once heard, was proper to grow wise in,

If only that so many dead lie round.

This is beautifully arrived at. It contains everything that can be decently and rationally said.

We allow that, in the case of religion, or the belief in supernatural beings, the past weighs in, not at 2,000 years, but at approximately five million. Even so, the time has come for a measure of impatience in our dealings with those who would take an innocent personal pronoun, which was just minding its own business, and exalt it with a capital letter. Opposition to religion already occupies the high ground, intellectually and morally. People of independent mind should now start to claim the spiritual high ground, too. We should be with Joseph Conrad:

'The world of the living contains enough marvels and mysteries as it is - marvels and mysteries acting upon our emotions and intelligence in ways so inexplicable that it would almost justify the conception of life as an enchanted state. No, I am too firm in my consciousness of the marvellous to be ever fascinated by the mere supernatural, which (take it any way you like) is but a manufactured article, the fabrication of minds insensitive to the intimate delicacies of our relation to the dead and to the living, in their countless multitudes; a desecration of our tenderest memories; an outrage on our dignity.

'Whatever my native modesty may be it will never condescend to seek help for my imagination within those vain imaginings common to all ages and that in themselves are enough to fill all lovers of mankind with unutterable sadness.' ('Author's Note' to The Shadow-Line, 1920.)

© Martin Amis
Lateline interveiw last night with one of my fave writers, Martin Amis.

TONY JONES: Well, now to tonight's interview with the British author Martin Amis. His latest novel, The House Of Meetings, was set in Russia during the time of the gulags but the twin subjects of terrorism and Islamic fundamentalism have been occupying his mind a fair bit recently. He's written a short story called The Last Days of Mohammad Atta, which attempts to get inside the mind of the operational leader of the September 11 attacks.

In a recent essay, penned for The Observer, before the anniversary of those attacks, he traces the roots of Islamic extremism and critiques the West's hesitant response to it. The essay was called The Age of Horrorism, and the themes it unravels have a particular relevance in Australia today because of the fierce debate over the Ramadan sermon by the mufti of Australia, a diatribe in which the sheikh describes women as Satan’s soldiers, wielding the weapons of seduction, and suggests those who don't wear the veil and stay at home behind closed doors are uncovered meat and may be complicit in their own rapes.

Martin Amis joins us now in our London studio. Thank you for being there.

MARTIN AMIS: Pleasure.

TONY JONES: Now, you clearly don't think the word "terrorism" adequately describes the Islamist assault on the West. You've coined your own word, "horrorism", can you tell us why?

MARTIN AMIS: Yeah. I mean, it's a nice distinction, I think. When you are being – you’re on your sleigh going through Siberia and you hear a wolf howl, that is fear or concern. When the wolf is pounding after your vehicle, then that's terror, and horror is when the wolf is actually there. I think Islamism has turned up the dial of terror, so it becomes horrific. That is there. That is their single achievement so far.

TONY JONES: Your essay takes us back to the very roots of Islamism after the World War I, a time you call "the great leap backwards". How and why did that happen?

MARTIN AMIS: I think World War II - it begins with Syed Kutid, this amazingly repressed and lustful thinker, so-called, who came to America in 1948, '49 and didn't like it. I've been thinking recently that perhaps - I think Islamism is the death agony of imperial Islam, the final twitch in that exploration, but I also think it was very much connected with the formation of the state of Israel and the defeat of six Arab armies simultaneously. I think this was the final straw to Islam's dreams of regaining its primary place on the planet, which it enjoyed for a good two or three hundred or years. It's now powerless and this is a way - an attempt to kind of flip the whole thing and regain God's favour, because the feeling behind all of this is that the covenant with God has been broken, that - Islam used to be sustained by the argument from manifest success and what has replaced that in the last couple of hundred years is the argument of manifest failure. God has smiled on the infidels, and this is the apocalyptic hurt of the Islamists.

TONY JONES: Syed Kutid you are talking about there. You say he effectively wrote the Mein Kampf of Islamism. Within it there are interesting psychological traits which emerge and you exploit them in your essay to describe a man who appears to be both obsessed with and repulsed by Western sexual mores. How significant do you think those issues were for him and how do those themes go into Islamism today?

MARTIN AMIS: I think it lies very close to the heart of it. The patriarchal superiority of the male is the last bastion of Islam and it's that which horrifies them about modernity. That is the key thing. You may be interested to know that in training camps in Afghanistan you'll spend the morning learning about suicide bombing and the afternoon will be spent with acids and asphyxias and so on. But the rest of the day is propaganda about how women are, as your mufti pointed out, the troops of the devil. Instilling hatred of women is the other twin pillar of the Islamist project.

TONY JONES: You seem to be suggesting in the case of Syed Kutid, that his mind, in effect, was poisoned by a few encounters with American women.

MARTIN AMIS: Well, yeah. I mean, it's hilarious. It reads like Pale Fire, an Abakov novel where the narrator's self-knowledge is less than zero. It's almost as if self-examination of any kind is unmanly, unvirtuous, unrighteous. There he is clearly boiling for lust for these wanton American women, as he sees them. He is always talking about their bursting hips and their bulging breasts and their thirsty lips and when he does write about it, he goes into a kind of frenzy of hellfire, although he died a virgin.

It is embarrassing to say so, but it does seem to be male insecurity on steroids.

TONY JONES: Flowing from all of this, you outline his chief tenets, that America is controlled by Jews, that Americans themselves are infidels and animals unworthy of life. I mean, how much of that goes back, do you think, to that psychological portrait you've just painted of him in?

MARTIN AMIS: It's a sort of displacement. The whole hatred of America not only is irrational, but also very abstract. I don't know about Australia, but in England people are still floundering around and talking respectfully about the reasons for Islamist rage and so on, as if it's just business as usual and ticking off a few historical grievances and us in Iraq, us in Afghanistan. What hasn't been grasped is this isn't a rationalist project. We keep attributing reason to them, but they don't boast of it themselves. “Throw reason to the dogs” was one of the Taliban's great slogans.

We think they are reacting to things and they are not. The energy is coming from an ideology that's been grafted onto a religion and it's an ideology, like all of the dangerous ones, that allows you to be at once very violent and very righteous.

TONY JONES: Of course, some of the ideology and the core bits of it are distorted, but still drawn from the Koran. You make the point yourself, the very last line of the Koran is a line about the seductive power of Satan.

MARTIN AMIS: Yes, that's what is meant by Khomeini in Iran, his emphasis on the great Satan. It's the great tempter. Now, we find ourselves in the West in the position of finding out that our whole society, everything you see around you, all of those buildings, all of those institutions, all of that culture is there for the sole purpose of tantalising good Muslims, and that's their main beef.

TONY JONES: Your short story about Mohammad Atta, the operational chief of the September 11 attacks, draws things out into a fictional account of what it is like inside his head in the final day, in the final hours in fact before the attack. How hard was it to actually do that and how close do you think you got and what sources were you relying on, apart from your own imagination?

MARTIN AMIS: I read everything I could find about Mohammad Atta, but I took an enormous liberty in that I made him an apostle, rather than a religious maniac, which is probably what he was - almost certainly what he was. I did that for purely utilitarian reasons, in that it would have bored me blind to look into the mind of someone who was fanatically religious. I make him a cynic who is there just for the killing, and I wanted to emphasise that, that’s it's a secret no longer well-kept, that killing people is tremendously empowering and exciting.

We must never lose site of the fact that this is like other movements that we're familiar with, Nazism and Bolshevism. This is an ideology that has freed itself from reason, and you get a huge push when you do that because suddenly everything is possible, and it has freed itself from reason and it is feeding on death.

Now, this is what people find so difficult. It is effortful to come to an understanding of that. Much, much nicer to wallow in rationalist naiveté and say that it is our fault. In England, there were middle class whities walking around during August with signs saying "We are all Hezbollah now .” Well enjoy it, enjoy being Hezbollah while you can, because its leader, Hassan Nasrallah, famously said of the West, "We don't want anything from you, we just want to eliminate you."

TONY JONES: Going back to Atta just for a moment, you may have made him an apple state but in the last moments when he's on the plane he builds for himself a mind picture which he is going to use to deal with the fact they are about to murder the airline hostess, and he dreams of or thinks of a situation in the past which once again points out this obsession you believe these terrorists have with women.

MARTIN AMIS: Yeah. He recalls a time when - this actually happened to a friend of mine. He was on the plane where a lot of Muslims filed into the aisle and started praying, and the pilot was saying he'd have to return the plane to Bahrain unless they sat down, and suddenly this huge beauty appeared with, as my friend said, "Make-up, suit, big tits, and just shrieked at them, ‘Vamoose, vamoose ariba conju. On your feet you," and they did. Mohammad Atta was present on that plane, in my story, and he feels a murderous urge there because he is seeing a woman empowered.

TONY JONES: There is a broader argument you are making here about the need for reformation within Islam. You suggest the necessary upheaval is a revolution, the liberation of women. Could it happen?

MARTIN AMIS: Yeah. I think that's utopian for now. I mean, what is going to happen next is - it's been argued that the most momentous consequence of the Iraq war will be the ignition of the civil war between the Sunni and the Shiah, which has been brewing for a millennium. Now, Pakistan's bomb is the Sunni bomb. If Iran gets the boom, that will be the Shiah bomb, and we've got to imagine something like a 30 year war, nuclear 30-year war, or 100-year war to get this - to get the sectarian stuff out of the way. Then we've got to twiddle our up thumbs while they have a reformation and then in due course an enlightenment and then perhaps the Middle East will be ready for democracy and sexual equality.

TONY JONES: That war between Sunni and Shiah, you think, is a direct result, or may well be a direct result, of the war in Iraq?

MARTIN AMIS: No. No, no. I mean, it's been brewing for a thousand years. The ignition of it may be entirely attributable to Iraq, but the enmity is age-old.

TONY JONES: I took your advice, Martin Amis, in the essay. I Googled the words “al-Sistani” and “sex” and I found there were 170,000 entries. Now, for anyone who is uncertain of who we are talking about, we should state that Ayatollah al-Sistani is the most powerful Shiah Muslim cleric in Iraq. The most recent entries - - -

MARTIN AMIS: He's also – he’s almost the most - - -

TONY JONES: Let me finish. The most recent entries talk about an online Fatwa, in which he calls for the killings of lesbians or gay men in the worst, most severe way possible. The trouble is, of course, is that al-Sistani is the moderate ayatollah, whom the west is banking on.

MARTIN AMIS: He's far and away the most moderate voice in Iraq. Actually, some of his advice about sex I found very helpful, quite moderate really, but he again is - you've got to think of him as on the left and the most liberal of these voices and, as you've read, he is - he has murderous hostility towards women.

TONY JONES: Now, reflecting, as you have very recently, not only in your essay, but in other articles, on everything that's happened since September 11, you outline the opposing sides, murderous fanaticism on the part of the terrorists, and in Washington, a vertiginous power rush that's finally evolved into self- hypnosis. Tell us what you mean by that?

MARTIN AMIS: Well, I think - I think the really tragic moment with Iraq was not the weapons of mass destruction business, because every intelligence agency on earth thought Iraq had these weapons. Even the Iraqi intelligence service thought they had them. In fact, Saddam was lying about it because he was terrified that Iraq oar Syria would take advantage of his not having them. So that's a side issue, I think. It's very important and all that, but when - we lost it I think when it was just visible in every dash and comma, Bush's body language, that he had submitted to a huge power surge.

American hegemony was something of a distraction before September 11 and then suddenly it became a war plan cracked out on the President's desk and he was looking at capabilities, not just possibilities. We all know what power does. It screws us up even when we have the tiniest bit of it - and suddenly this tax-cutting, destroying, dry drunk from west Texas was the most powerful man in human history. There's no culture in America for trying to put checks on the power rush, as there is in England, in old Europe, as Rumsfeld insultingly called it, and Blair would be very aware of this danger, but Bush wasn't, and he looked like a drunk in a bar. He looked like he'd just done a snowball of cocaine. He recruited all around him with an ideological filter so that everyone on the team was on the team and no dissenting voices were allowed – or was a classic marsh of folly, and there wasn't a plan for the peace. There was no plan.

TONY JONES: Martin Amis, we're nearly out of time, but I can't leave without mentioning one of the strangest things about your essay on horrorism, and that is that you - in it you describe a work that you’ve actually abandoned, a satirical novel that draws on many of the themes we have been talking about. It's a rare thing for a writer to talk in detail about a work they've abandoned. In this case I believe it's because satire simply can't do justice to the actual story.

MARTIN AMIS: It's not quite that. It's more this is becoming - we've started this war very badly and this is becoming more and more serious, and when I realised that there were young Englishmen living in my country who wanted to convert to Islam for the mere purpose of suicide mass murder, I thought this thing, Islamism, which is trying to poison the world, is actually mutating like bird flu, and I suddenly thought, how funny will my novella be after a dirty bomb in London, say, or some other big disaster? Really, I just felt I was giving such an enormous hostage to fortune. I'll write that story when the war is over - if it ever is.

TONY JONES: You may never live that long, Martin Amis. I'm afraid we haven't got time to spend that long talking to you. We have to leave it there with our talk tonight. We thank you very much for taking the time to come in and talk to us.

MARTIN AMIS: Pleasure.

Wednesday, November 01, 2006

i am reading melanie philips book londonstan, it has been banned by a number of libraries in america and england, it's to controversial and inflammatory yet it has testamonials from many very respected writers journalists and political commentators. this is a book that needs to be read. make your own mind up after you read it but take the time to read it, no newspaper would review it, people are petrified to attach their name to it but it paints a very accurate picture of what has happened in england in the last few years.

i finished 'pilo family circus' this morning, very good, i'm really impressed that a young guy from brisbane wrote it, quite a disturbing yet amazing story, i have always found clowns freaky but now i'm petrified by them.

climate change seems to be sweeping through conversations i'm having, suddenly everyone is freaking out. i always ask people as they blame govts. 'do you drive?'
i mean the bottom line is personal responsibility, i think the solution is each individual has to pay a tax based upon the amount of emmissions they release or are responsible for releasing every year. so if your job involved polluting the earth you would be taxed really high. perhaps the people that reduce emmissions from other people can get a cash bonus. some one told me a polar bear was found after drowning, it couldn't find any ice to use as a surface. thats sad.

there's a new book out called toxic childhood by another british writer sue palmer who says that we are destroying childrens childhood by computer technology, this is quite a common point of view amongst people, yet from my point of veiw it's the usual crap adults pour upon their children, in the old days it was the radio now its the computer. adults hate children, its not a conscious kinda hate but a silent lurking one that contains elements of jealousy and traces of bitterness. adults want their childrens youth, the fear is we have to protect children from what...ourselves is the answer. we are the only threat to children. we hate the fact they have a future and we continue to steal it from them. evolution is a fact, as society embraces technology the field of biotechnology has arrived, you can't put the genie back in the box, so like humanity has with its other inventions we have no choice but to embrace it, there's no reason why a child can't incorperate a computer into its life, a computer is only a tool. perhaps the arguement would be better put if children were at risk from violent computer games, that i could understand but that is not technology. i say embrace technology as a tool, it has no conciousness itself therefore the threat it poses only exists in our heads and our fears.

Tuesday, October 31, 2006

there's been a big media circus surrounding the grand mufti of australia as he made a comment about women who have been raped saying they were like meat left out unwrapped, and the cats would obviously come out to eat them, so he sees women as meat and blames them for attracting rapists. anyways the media have gone nuts over it, talkback radio, current affairs shows, the newspapers, opinions, cafe chit chat, its everywhere. now i am no friend of islam, but it is getting a bit nuts, the mufti has always spoken absolute nonsense, he's a 28 year history of racist bigotry and now all of a sudden the media have taken it upon themselves to crucify him. man i am always reminded about my friend professor learys comments, 'ban stupid people.'
the guys stupid, along with most of these fundamentalist nutters, they should have kicked him out years ago but they need the vote, the Muslim vote like the catholic vote is like freaking gold to these politicians, its the beginning of the end of democracy. what's strange is the amount of people (predominately on the abc) who are saying he has the right to free speech and that he was using a metaphor that doesn't translate and his english is poor. its amazing how stupid people are, they should be kicked out with him.
old jonney howard and kim beezly both agreed his comments were disgusting, a week has passed and the mufti has since made several statements ranging from, blaming the white house, to saying women are pearls, he then had an asthema attack and was rushed to hospital. meanwhile two grand muftis from overseas flew in to support him and do some interviews with the tv people. theres a lot of muftis in the neighbour hood.
Silence is a decree all should fear

Political correctness, as much as fundamentalism, is responsible for our state of absurdity, writes Umberto Eco.

ALMOST 15 years have gone by since I wrote that within a few decades Europe would become a multiracial continent, and the process would cost us blood and tears. I wasn't a prophet, but merely a man who studies history, convinced that if you know what happens in the past and why, you can better understand what will take place in the future.

Even if the terrorist attacks in European countries over the past few years are excluded from consideration, it is clear a troubling trend is emerging. In France, a high school teacher, Robert Redeker, wrote some highly critical things about Islam and subsequently received death threats. In Berlin, the Deutsche Oper's production of Mozart's opera Idomeneo was cancelled because it featured not only the severed heads of Jesus and Buddha (and we can let that pass), but also of the Prophet Muhammad.

Then there's the scholarly Pope Benedict XVI who, in his address to scientists at the University of Regensburg in September, quoted a Byzantine emperor's thoughts on Islam; the Muslim world erupted in protest. He ought to realise that there's a difference between a university professor's lecture and a pontiff's televised speech, and so perhaps he should have been a little more careful (but those who used the historical quotation as a pretext for calling for a new religious war are not the sort I'd like to go to dinner with).

The French philosopher Bernard-Henri Levy wrote a fine article about the Redeker case, published in Le Point magazine. You may disagree with Redeker, he argued, but you have to defend his right to express his opinion freely on religious matters; our society cannot submit to blackmail.

As for the Idomeneo affair, the Italian political commentator Sergio Romano recently wrote … well, I will try to put it in my terms, thus relieving him of responsibility. If a director includes a display of the severed heads of major religious figures in his staging of a Mozart opera when such a thought never even crossed Mozart's mind, the least you should do is kick the director in the pants, but for aesthetic and philological reasons.

The illustrious musician Daniel Barenboim, writing in Italy's La Repubblica newspaper, wisely wonders if it is really in the spirit of Mozart to stage the opera in this way. Despite this, Barenboim defends the rights of the artist and explains why freedom of expression is a necessary condition for artistic creativity.

I think my friend Daniel, who is of Russian-Jewish descent, would join me in complaining about the fact that versions of Shakespeare's The Merchant of Venice are often criticised because the play was inspired by the anti-Semitism common in the playwright's day, even though it shows us a human and pathetic Shylock.
ah summers back in old newport, blue skies, the occasional fluffy white cloud, people stroll by with their dogs, smiles are exchanged, pleasantries swapped, it's kinda business as usual. yet today something called the stern report was released. the stern report basically was written by lord stern an english economist who was asked by the british govt to write about the economic impact of global warming on planet earth. basically it states that unless we take action now the economic impact will be akin to the depression of the 1930's. the total cost to avoid this is 3.25 trillion AU dollars. and if we do nothing by 2010 it would cost us 9.1 trillion AU dollars. Australia is one of the few countries that refused to sign the kyoto treaty, much to most peoples dismay, and unknown to most people actually negotiated a 9% increase in emmissions, however the rational behind this is that australia supplies so much raw material to china that it actually reduces emmissions to the world if it ceased supplying china with coal. the australian govt has said it would sign a treaty if the whole and developing world signed one as well.
anyway down on the streets people are still smiling.

my take on global warming is big freaking deal, so the temp. is getting hotter, the planet is adapting to our dumb industry, well its a bit arrogent on our part to assume we could get away with it, after all we have only been on the earth for a blink of an eye, more species have become extinct than remain, why do we think we are different. if we were smart we would begin to evolve rapidly, loose the physical form and transport ourselves through space, seeding the universe, finding sexy planets that we can start again, nice places with lakes and pink sunsets and decent weather, and good surf...

Tuesday, October 24, 2006

the suns back, the surf returns, all is bliss as i spend my daze catching waves. there's nothing quite so perfect as being in the wave as it rolls towards the shore, you poise yourself for that one flipper propelled kick, tucking the head down and being transported faster than thought, not on the wave, not in the wave, not behind or under but with the wave. you are the wave and the thoughts that enter your mind are the thoughts that shape your moment. its bliss, i love my fin, translucent blue, alien shaped. no people out there today, no dolphins, just me.

last night agent stone and i went to the pemeire of a movie, 'trust the man', its a romantic comedy, it's patchy, the script is reasonable, the acting good, David Duchovny is really good, but the ending was not right. i don't know how it should have ended really, i think maybe a happy ending was ineveitable but there was something to happy about the ending, it needed some edge, a suicide perhaps, one of the minor charachters. i dunno.

tea and books with jake, he's reading anne rice at the moment, i never really liked the vampire books, she wrote some intresting porn before she discovered horror. i heard she lost her son and became a born again christian. to me there's only one vampire novel and thats dracula. its brilliant.

saw 'children of men' a film set a few years into the future in an england we can see lays just around the corner, go see it, it's brilliant.

Saturday, October 21, 2006

snap crackle pop breakfast cereal that talks nonsense yet says infinitely more than most people i know.
a long time ago i moved in with a friend of mine who was going through a difficult time, he latched on to me and became quite obsessive, i found him intrusive and demanding and as much as i wanted to be patient with him i found myself needing to create clear boundries. i told him one day, as is my form when pushed to far, 'i am culling a lot of people in my life and i'm starting with you.'
'you can't just cull me, i've known you for years.'
'no you have not known me, if you knew me i wouldn't need to cull you.'
'but we live together.'
'yes and i need some space from that.'
'but i think when people live together they should have breakfast and meals together.'
'maybe if they are married.'
then he hit me. anyways years later i find myself working with this man, a man who comes across as a gentle, spiritual soul, a man who starts to inform my co workers that i have an issue with authority.
actually i say to my work collegues, i don't have an issue with authority, i have an issue with people in authority who are stupid. i guess my issue is with stupidity.
i am entering a period of conflict at work, war is looming, i am confident in myself, i have no allies but i know becuase i let myself be under estimated the forces that move against me will be over confident, they will make mistakes becuase they are stupid people in authority.

Tuesday, October 17, 2006

well its a few days later and i'm still caught in the afterglow, i tell ya it don't get better than that. my world is a strange one, my internet dating experiences are becoming more and more bizzare with various girls, the other day i met one girl in newtown whom although was plesant enough was not really my cup of tea, anyway in the intrests of being polite and hungry we decided to have a bite to eat. i took her to my fave place 'taste' on 'king street', which specializes in fantastic salads, anyway there's a guy with a pony tail chatting to this lovely american girl, she's stunning and my pheremones are going nuts. i order a pumpkin salad with poppyseed dressing, and by defualt sit next to the beautiful girl, who immideatly starts chatting to me, she's from vermont and i'm telling her about my travels and how i really loved new mexico but never made it to vermont. while i am chatting i am slso painfully aware that i am with the internet girl so i have to engage her and eventually vermont girl leaves.
anyways when i get home i write a song, and the next night find myself in newtown again. so i put the song in an envelope and give it to the guy with the pony tail. there's nothing on the envelope except 'vermont girl' and no info about me, no e mail address, no phone number no name. i just think it's sometimes nice to return an inspiration to its source. the music is kinda sad, a piano, a simple drum beat and a very nice sounding electric guitar that kick in half way through...

vermont girl with salad dressing
by
the deep fix

i’m not young,
aged disgracefully
miss spent youth,
guess i missed my destiny
like a ghost haunts itself
in the suburbs of regret
uninspired by money making schemes
and grandiose opportunities
seems like everyone’s
got a line to spin
so here’s something for you
a little genuine
i never wanted to
rule the world
i just wanted to
find my girl
in the evening twilight,
in new towns casual sight
you know the message that I’m sending
to the Vermont girl with salad dressing

Have you ever seen
any thing
so beautiful ?

0h now you don’t even know me,
you may not even care
but i am a stranger here as well
and my eyes declared
there’s no expectation,
i guess you’re just a little
ahhh, inspiration…to me
you may not want it anyway
you may not even feel
these days it’s kinda hard to tell
the fake ones from the real
but I just want to say
i went to santa fe
but I never saw anything there
i wanted to take away
nothing quite so unique
to capture my attention
still I count my blessings
Vermont girl with salad dressing

Have you ever seen
any thing
so beautiful ?

Monday, October 16, 2006

there are events in one's life that have no anologue, no point of reference to tether words to, adjectives fail, decriptions can't decribe, images missrepresent, all attempts impotent, and you know the score with this particular band...
i wish i could even begin to tell you all how special this was, i wish i could capture the moment and share it but the moment came on like a cosmic tidal wave and what remains is the very essense of what the church do to me when i see them play live. if one perceives music in its purest origional form it is nothing more than shamanic intention and tonight the church took the enmore into another realm completely, a sublime cacophony of sound, pure rock and roll did what it's supposed to do, kicked down the doors and abducted our spirits, showed us things we ain't never seen before, took us places mythology talks about, i was taken to invisible landscapes and like all those 'special nights' parts of me are still there and parts of me have returned, ever changed, ever respectful of the power of this music, ever humbled by the experience, all i know is there's an awful lot of love in my heart for the church.

north korea holds the world in check after impotent world leaders waffle and let of a lot of hot air over a bomb testing, i guess every one forgets that the french, the english and the usa have tested their fare share of bombs as well, usually in some poorer part of the world where the natives can't sue. as far as bombs go, i think they really are just a feudian dreamscape, insecure men playing with their weapons, mines bigger than yours. its ironic that my world has split in two halves, reality, the political world of work, societies and people is shot to peices, while my spiritual world is perfect. paradox.

I assume that you, like me, want to live longer and better. The key to a longer life is not merely sticking around for decades but lies in the ancient Greek concept of time, which was described by two words, "chronos" and "kairos". Each concept measured time, but in radically different ways.
"Chronos" is familiar to us, the chronological march measured by our watches, by seconds, hours, days, months. The key to a longer life lies with the second measure of time, "kairos". Kairotic time is measured by events, not by hours. Philosophical discourses have been written about the difference between chronos and kairos, but the sweetest succinct explanation I have found was written by a former professor of philosophy, Sam Keen, in 'Hymns to an Unknown God': "Chronological time is what we measure by clocks and calendars; it is always linear, orderly, quantifiable, and mechanical. Kairotic time is organic, rhythmic, bodily, leisurely, and aperiodic; it is the inner cadence that brings fruit to ripeness, a woman to childbirth, a man to change his direction in life."
In kairotic time, weeks can seem like months. Many Australians understand this, which is why we are, among all nations, the most inveterate travellers. Because travellers understand, instinctively and by experience, that travel and adventure change and elongate time, even while navigating the deadlines of airline and train departures, sitting on buses and waiting. It would be intresting to find out how much time (chronos) we have spent in our lives waiting.

Tuesday, October 10, 2006


here's a strange thing, a friend sent me a recording of the revesby show, it was amazing to hear all the nuance and intricate structures of the band playing live, and the harmonies and the amazing musicianship, and there at the end, when the audeience runs to the stage, SK says, 'there's capt. mission.'
its been a strange few days i have been out surfing in huge surf, catching monster waves, and feeling the joy, and this morning manifested several dolphins, they swam around and jumped and played, it was quite surreal, if i reached out my hand i could touch them.
the water is healing me, i feel some what battered from work dramas, and personalities, the waves wash it away, give ya perspective.

Monday, October 09, 2006

THE SPIRIT OF SOLITUDE

An Autohagiography

Subsequently re-Antichristened

THE CONFESSIONS OF

ALEISTER CROWLEY

To Three Friends

J. W. N. SULLIVAN
who suggested this booklet
AUGUSTUS JOHN
who first gave practical assistance
P. R. STEPHENSEN
who saw the point

And To Three Immortal Memories

RICHARD FRANCIS BURTON
the perfect pioneer of spiritual and physical adventure
OSCAR ECKENSTEIN
who trained me to follow the trail
ALLAN BENNETT
who did what he could

P A R T O N E

TOWARDS THE GOLDEN DAWN.

PRELUDE

"Do what thou wilt shall be the whole of the Law." Not only to this autohagiography --- as he amusedly insists on calling it --- of Aleister Crowley, but to every form of biography, biology, even chemistry, these words are key.

"Every man and every woman is a star." What can we know about a star? By the telescope, a faint phantasm of its optical value. By the spectroscope, a hint of its composition. By the telescope, and our mathematics, its course. In this last case we may legitimately argue from the known to the unknown: by our measure of the brief visible curve, we can calculate whence it has come and whither it will go. Experience justifies our assumptions.

Considerations of this sort are essential to any serious attempt at biography. An infant is not --- as our grandmothers thought --- an arbitrary jest flung into the world by a cynical deity, to be saved or damned as predestination or freewill required. We know now that "that, that is, is", as the old hermit of Prague that never saw pen and ink very wittily said to a niece of King Gorboduc.

Nothing can ever be created or destroyed; and therefore the "life" of any individual must be comparable to that brief visible curve, and the object of writing it to divine by the proper measurements the remainder of its career.

The writer of any biography must ask, in the deepest sense, who is he? This questions who art thou?" is the first which is put to any candidate for initiation. Also, it is the last. What so-and-so is, did and suffered: these are merely clues to that great problem. So then the earliest memories of any autohagiographer will be immensely valuable; their very incoherence will be an infallible guide. For, as Freud has shown, we remember (in the main) what we wish to remember, and forget what is painful. There is thus great danger of deception as to the "facts" of the case; but our memories indicate with uncanny accuracy what is our true will. And, as above made manifest, it is this true will which shows the nature of our proper motion.

In writing the life of the average man, there is this fundamental difficulty, that the performance is futile and meaningless, even from the standpoint of the matter-of-fact philosopher; there is, that is to say, no artistic unity. In the case of Aleister Crowley no such Boyg appeared on the hillside; for he himself regards his career as a definitely dramatic composition. It comes to a climax on April 8th, 9th and 10th, 1904 e.v. The slightest incident in the {31} History of the whole universe appears to him as a preparation for that event; and his subsequent life is merely the aftermath of that crisis.

On the other hand, however, there is the circumstance that his time has been spent in three very distinct manners: the Secret Way of the Initiate, the Path of Poetry and Philosophy, and the Open Sea of Romance and Adventure. It is indeed not unusual to find the first two, or the last two, elements in the molecule of a man: Byron exemplifies this, and Poe that. But is is rare indeed for so strenuous and out-of-doors a life to be associated with such profound devotion to the arts of the quietist; and in this particular instance all three careers are so full that posterity might well be excused for surmising that not one but several individuals were combined in a legend, or even for taking the next step and saying: This Aleister Crowley was not a man, or even a number of men; he is obviously a solar myth. Nor could he himself deny such an impeachment too brutally; for already, before he has attained the prime of life, his name is associated with fables not less fantastic than those which have thrown doubt upon the historicity of the Buddha. It should be the true will of this book to make plain the truth about the man. Yet here again there is a lion in the way. The truth must be falsehood unless it be the whole truth; and the whole truth is partly inaccessible, partly unintelligible, partly incredible and partly unpublishable --- that is, in any country where truth in itself is recognized as a dangerous explosive.

A further difficulty is introduced by the nature of the mind, and especially of the memory, of the man himself. We shall come to incidents which show that he is doubtful about clearly remembered circumstances, whether they belong to "real life" or to dreams, and even that he has utterly forgotten things which no normal man could forget. He has, moreover, so completely overcome the illusion of time (in the sense used by the philosophers, from Lao Tzu and Plotinus to Kant and Whitehead) that he often finds it impossible to disentangle events as a sequence. He has so thoroughly referred phenomena to a single standard that they have lost their individual significance, just as when one has understood the word "cat", the letters c a t have lost their own value and become mere arbitrary elements of an idea. Further: on reviewing one's life in perspective the astronomical sequence ceases to be significant. Events rearrange themselves in an order outside time and space, just as in a picture there is no way of distinguishing at what point on the canvas the artist began to paint. Alas! it is impossible to make this a satisfactory book; hurrah! that furnishes the necessary stimulus; it becomes worth while to do it, and by Styx! it shall be done.

It would be absurd to apologize for the form of of this book. Excuses are always nauseating. I do not believe for a moment that it would have turned out any better if it had been written in the most favourable circumstances. {32} I mention merely as a matter of general interest the actual difficulties attending the composition.

From the start my position was precarious. I was practically penniless, I had been betrayed in the most shameless and senseless way by practically everyone with whom I was in business relations, I had no means of access to any of the normal conveniences which are considered essential to people engaged in such tasks. On the top of this there sprang up a sudden whirlwind of wanton treachery and brainless persecution, so imbecile yet so violent as to throw even quite sensible people off their base. I ignored this and carried on, but almost immediately both I and one of my principal assistants were stricken down with lingering illness. I carried on. My assistant died1. I carried on. His death was the signal for a fresh outburst of venomous falsehoods. I carried on. The agitation resulted in my being exiled from Italy; through no accusation of any kind was, or could be, alleged against me. That meant that I was torn away from even the most elementary conveniences for writing this book. I carried on. At the moment of writing this paragraph everything in connection with the book is entirely in the air. I am carrying on.

But apart from any of this, I have felt throughout an essential difficulty with regard to the form of the book. The subject is too big to be susceptible of organic structure unless I make a deliberate effort of will and a strict arbitrary selection. It would, as a matter of fact, be easy for me to choose any one of fifty meanings for my life, and illustrate it by carefully chosen facts. Any such method would be open to the criticism which is always ready to devastate any form of idealism. I myself feel that it would be unfair and, what is more, untrue. The alternative has been to make the incidents as full as possible, to state them as they occurred, entirely regardless of any possible bearing upon any possible spiritual significance. This method involves a certain faith in life itself, that it will declare its own meaning and apportion the relative importance of every set of incidents automatically. In other words, it is to assert the theory that the destiny is a supreme artist, which is notoriously not the case on any accepted definition of art. And yet --- a mountain! What a mass of heterogeneous accidents determine its shape! Yet, in the case of a fine mountain, who denies the beauty and even the significance of its form?

In the later years of my life, as I have attained to some understanding of the unity behind the diverse phenomena of experience, and as the natural restriction of elasticity which comes with age has gained ground, it has become progressively easier to group events about a central purpose. But this only means that the principle of selection has been changed. In my early years the actual seasons, climates and occupations determined the sections of my life. My spiritual activities fit into those frames, whereas, more recently,

Note: Raoul Loveday, who died at the Abbey of Thelema after drinking from a polluted stream. See part 6 of this work for the rest.
the converse is the case. My physical environment fits into my spiritual preoccupation. This change would be sufficient by itself to ensure the theoretical impossibility of editing a life like mine on any consistent principle.

I find myself obliged, for these and many other reasons, to abandon altogether any idea of conceiving an artistic structure for the work or formulating an artistic purpose. All that I can do is to describe everything that I remember, as best I can, as if it were, in itself, the centre of interest. I must trust nature so to order matters that, in the multiplicity of the material, the proper proportion will somehow appear automatically, just as in the operations of pure chance or inexorable law a unity ennobled by strength and beautified by harmony arises inscrutably out of the chaotic concatenation of circumstances. At least one claim may be made; nothing has been invented, nothing suppressed, nothing altered and nothing "yellowed up". I believe that truth is not only stranger than fiction, but more interesting. And I have no motive for deception, because I don't give a damn for the whole human race --- "you're nothing but a pack of cards."
Here's something i lifeted from the SMH. Martin Amis, who i really thnk is a brilliant writer uses the same theme that i use, terrorism and islamic extremism is tied in with fear of females and sexuality....

The British author Martin Amis has a particular slant on the motives behind the September 11 hijackings, writes James Button.
Searching for insight ... Martin Amis's latest writings follow his preoccupation with Islam and terrorism.

It has been Martin Amis month in Britain. The writer, now living in Uruguay, is back doing the media rounds for his new novella, House of Meetings. He has also had published two long pieces of journalism and a short story, The Last Hours of Mohammed Atta.

The articles address his latest preoccupation, Islamist terrorism and Islam. The story (included in House of Meetings) tries, with typical Amisian ambition, to get inside the head of a hijacker on the last day of his life, September 11, 2001.

By now Amis's approach is so familiar readers can tick the boxes: sentences straining for significance, the impulse to humour even in the most serious matters, the mandatory mention of his literary mentor, Saul Bellow. As Amis's Atta buckled himself in on flight 11, I half expected him to be reading Bellow's novel Henderson the Rain King.
But if Amis can be overblown, he can also be acute (and very funny). At an airport this week I remembered his insight - that the age of terrorism also produces its opposite, boredom - as I queued for 10 minutes to reach a machine that X-rayed my shoes. Having for years stuck with Amis on his grand and grandiose flights, I was keen to see what he would make of the flight of Mohammed Atta.
It is 4am on September 11 and Atta wakes up in a miserable motel in Portland, Maine. He cuts himself shaving, slips in the shower, studies his face with loathing. Later he will get killer headaches, luridly described. He has not had a bowel movement since May.
May? This was troubling. The idea that Atta might express self-hatred through bodily disgust is plausible. But it is old Amis territory: many of his male characters are physically, and with horror, falling apart. And the author's weakness for obscure words was distracting: his protagonist watches an old person stick out a "marfanic thumb". Was this a story about Atta or Amis?
Two forces drive Amis's Atta. One, he is not religious. He doesn't think he'll get the 72 virgins in paradise. Nor, although he hates America, is he especially political. He joined the jihad because it was "the most charismatic idea of his generation. To unite ferocity and rectitude in a single word: nothing could compete with that."
Why does rectitude matter so much to him? Here Amis has one - possibly brilliant - idea. It is about women.
His Atta, while flying on a Spanish airline in 1999, saw 15 or 16 white-robed, turbaned men suddenly crowd into the aisle and get to the floor, "humped in prayer". Over the intercom the captain ordered them to return to their seats or he would return to Dubai. A stewardess appeared - tall, long-necked, beautiful: "swinishly luxurious". The effect on Atta is electric. He watches her bellow at the prostrate men: "Vamos, arriba, c---!" Let's go, get up, she orders, cursing them with a word for female genitals. Atta "would never forget the face of the stewardess ... and how much he wanted to hurt it'.'

It is an improbable scene. Is this, then, merely Amis resuming his favourite theme of shrunken masculinity? I don't think so. In his will the real Atta banned "unclean" women from attending his funeral.

One of the July 7 London bombers, Mohammed Siddique Khan, instructed his fellow terrorists in how they could look at women; on his martyr video he rants about real Muslim men (jihadis) and wimps (the rest). Before he killed the Dutch filmmaker Theo Van Gogh, Mohammed Bouyeri tried to knife a young man he believed was having (consensual) sex with his sister. And so on.

In an article last month, "The Age of Horrorism" (it can be read on The Guardian website), Amis traced the sexual frustrations of the father of Islamist thought, Sayyid Qutb. While in America in 1949, Qutb became disgusted by - and obsessed with - what he saw as the lewdness of American women.

To Amis it leads to an inescapable conclusion. The suppression of women is not only breeding jihadis, it is caging Muslims in ignorance and backwardness. His answer: get girls into school, spark a women's revolution, spend some of the $300 billion that was spent on Iraq on raising consciousness in the Islamic world.

It is an excellent thought. My problem is with the way Amis expresses it. Because, he writes, the Koran grants men sweeping powers over women and hence spares them the need to think, "no doubt the impulse towards rational inquiry is by now very weak in the rank and file of the Muslim male". It is women, then, who will save Islam. But this is surely a false duality; the sexes cannot be split so easily. Many Muslim women are also devout, as scornful of secularism as Amis is of faith.

Can Westerners find a way to talk about their differences with Muslims without being superior? This is hard: for many, the relative position of women is the conclusive evidence that shows why the West is better. But the sort of consciousness-raising Amis advocates would have to be done with humility or it would fail. To put it simply, I can't change you if I am not also open to the possibility that you have things to show me.

"It's their own past they [Muslims] are pissed off about; their great decline," Amis said in a recent interview. And: "They hate us for letting our children have sex and take drugs - well, they've got to stop their children killing people."

These generalisations have a note of contempt. It's a pity, because I reckon he's onto something about the women.

Wednesday, October 04, 2006

i've just finished reading 'are men necessary' by muareen dowd, and it's not a bad book although i must say, it should be called 'are american men necessary' it's filled with american examples of mens behaviour. if i was the author i'd call it 'are people necessary' the answer would be a resounding NO.

Well the days have been sun drenched, warm, blue skies over the beaches, surf is getting better, caught a beautiful wave this morning, my mind still contemplating the church show, such elegance. i was filled with grace, my body shook with awe, transforming and transmigrating. i washed up for a cup o tea and lunch with a older beardered recently retired man who confessed his alcoholism to me, he's a lover of books to, and we often chat about our latest reads. It was nice to talk to someone about something substantial, we laughed at how in france when a philosopher dies there's millions of people on the streets weeping and there's a state funeral. Down in Australia, ya gotta be a footbal player for that to occur.

Well i got three days off to play in, no money but a head filled with dreams and ideas i gotta get crackin on.

I cought the front page of the manly daily our local newspaper and it was warning peoples not to swim in the ocean due to a massive layer of red algae covering the whole of the northern beaches, it was amazing, i did'nt see anything out there bu the photo was biblical. The seas have turned red. Maybe the enviromental concerns are the biggest threat after all....if it's gonna effect my surfing.

Tuesday, October 03, 2006

Apart from setting off a week early due to slipping through some kinda Church generated time hole, then on the actual night, the kids who live below me hid my ‘one’ pair of boots, leaving me searching frantically for them as the perilous journey to a place called Revesby, out in western sydney became more and more complex and fraught with obstacles. It was some sort of traffic long weekend police jamboree so I drove in a disciplined manner aware that with one point left on my license I better be vigilant, but I could already feel my excitement, spreading through my body which meant three toilet breaks, and seizing the opportunity to ask directions from friendly service station attendants who didn’t even know what country they where in let alone the way to Revesby. Old Captain Mission in a final act of desperation used the force, homing in on Church Radar I eased my way South West towards the venue. Revesby is well outta my comfort zone, I inhabit the Northern beaches of Sydney, very rarely leaving the proximity of the ocean, and here I am in some strange landscape filled with KFC fast food burger joints, car yards and huge freeways, motorways and a road I hope will get me there on time. Remarkably I find myself entering Revesby at exactly 7.30. I pull over and ask some one where the Revesby RSL is, but everyone I ask shakes their head, ‘No. No RSL in Revesby but there is a working mans club.' Revesby Workers, no, that’s not the place I convince myself, thinking off a workers club as a little shed in Northern England filled with men playing darts and smoking roll ups, drinking stout. I see a sign for RSL and follow that 2ks out of town, there’s a nice little RSL tucked away off the beaten track. I park and run in, only to find that this is not Revesby RSL. Again I am pointed to the Workers Club. So in a desperate attempt to find the venue I drive back, park and find that I am in a huge complex, massive, like a mall that’s also a small modern indoor town. It’s very plush and hundreds of people in well presented uniforms are rushing towards me to welcome me. Alas, no its to inform me I can’t come in as I am not dressed appropriately. My sleeves are cut from my old 'church acoustic' T Shirt.

‘But I bought a ticket.’ I protest, no one explained that I needed to be in a sleeved shirt, I look at all the women who where wearing sleeveless shirts inside, by this time I’m frantic, ‘Look I’ll go in and buy a t shirt from the band.’

Everyone seems happy with this, including myself. In we go, and the Workers club is like the titanic, hundreds of people milling about, moving around from restaurant to bar, escalators all over the place, music leaking through the walls, I imagine that one day space travel will be like this, people will cruise in huge Mall type structures, gambling and getting drunk, humanity makes first contact. intelligent life in space, well one can live in hope, I can hear the sublime intro to ‘Never Before’ and clutch my chest, no please, no more obstacles. Then I realise I didn’t pick up my ticket at the front desk.

Fortunately I am hearing the sound check, it’s a closed door so I amble back down to get my ticket and taunt the uniforms in my sleeveless shirt.

Well the set was amazing, it looked as if there were a few sound issues, some technical peculiarities towards the start but things went from amazing to mind blowingly brilliant. It was just one of those shows, ‘hey wait, aren’t they all with you Capt’ I hear ya say. Yes its true I am terribly subjective when it comes to the crunch, but this was an amazing show because the audience were so good, really responsive and appreciative and the band just shone. Plugged in The Church move through aural sculptures ambient and latent sonic landscapes that can’t help but suck you along into their vortex and carry you away.

I didn’t take my camera tonight and just soaked up the atmosphere and it was beautiful atmosphere in the workers club, from the choice of songs the highlights that i recall are : Saturation, Iona Blues, Reptile, Is this where you live, Easy, Pure Chance, Never Before, Day 5, Tommorow, Block, Unguarded Moment, ripple, destination, myrrh, grind, shadow cabinet, numbers, I'm sure i left out a few,
they played a good length and some of the into's and outro's were amazing, very expansive, ambient and moments of rock and roll beauty. I've missed out a few songs but i'm sure that gives you a taste.
This is quality musicianship individually and as a synergy of the band. I sat down the front watching a diverse mix of people, all mesmerized by the beauty of this music. Steve’s playing was brilliant, those base notes filled the night like languid points of light and the two guitars feeding of one another in symbiotic communion. But for me tonight the most amazing quality that held everything together, was Mr. Tim Powles. His rhythms were so magnetic and held such a gravitational pull I could feel everything being sucked in towards them. Highlights – I can’t really say there was a highlight, it was all excellent, perhaps the highlight was the fact here’s my favourite band on this planet playing together, evolving after 26 years and I know that they haven’t even peaked yet, the best is yet to come. you can see all that potential overflowing. There were some beautiful harmonies and lovely ambient sounds created, often leading into or out off songs. In many ways I am always very upset that the church never get the recognition they deserve from the music media in Australia, however at the same time, part of me is selfishly glad, that there’s something intimate when you see them that I fear would be lost, something special and meaningful..But don’t take my word for it, go see the Magnetic Strip Tour yourself. Plugged in, tune in, turn on, trip out.