introduce the guitars meeting the ocean as cymbals play waves to lumbini grove, a simple little line throbbing away as steve tells the tale, something very laurel canyon (the geographical area not the church song) sounding, the fade out is a clash of intertwined guitars into western, my fave. steve's lyrics are like reading a novel, again big concepts in small sentences. some awesome base lines, subtle shifts in gears and tones, oh yes, the western lands. when that guitar comes in we are in the space, no dimensions. it's a classic church song to me, huge in scope and expanse.
ferrari, is a different story, it's named after a car but it sounds like a star, shimmering and glimmering, with that strange controversial line, it's does irk me, neither good nor bad, it's just what it is, and it works, i guess, weird how one line can distort in my stupid mind. the song capturing the cold climate, the strange adventure, the disappointment. ahead, steve obtuse and cheeky, me thinks, its not space rock but it's rock filled with space.
sky river - another fave of mine, the falsetto (keep that singer in the band), the harmonies, the effects on the guitars, precision drumming and percussion. steve speaks over some cool vibes, indian signatures and i wish i could turn this up but it's late and my neighbours would not approve, now i feel the spirit, it's in my blood, in my heart, it's the church. truth. what a brilliant song. this would be my single, although I like all the others but this would be a great reintroduction to the band. it's perfecto. summer in a song, into
winter -more classic church, hologram of baal era maybe, having said that, it's fresh and new, more chimes and strange percussions, chords and lead. i love this to, sadness and melacholic vibes work for me these days...yet as usual, uplifting and gorgeous outro. 'as god is my shield.' by 'the church' good name for an album.
have you been here before- let's just say, my fave song. oh me oh my, gimme that church groove, this would be the one for me. it was love at first sight in daves' car when i first heard it weaving along the pacific highway into the city. i wanna hear this live so bad, steve's lyrics, his voice, the guitars are divinity. it's rock and roll, inner space music for the post acid generation, the mescaline kids, the macrobiotic dot druids, it's expanding the boundaries and kicking down the walls, it's liberation in stereo surround sound.
people get ready, for, the lemurian - oh no, more classical church vibes, how much can i take, it's fucking brilliant, he's got that command in his voice, the music is perfect. it's a stoned drone of love and freedom, a guitar that feels like the amazon, winding through deep jungle, a new territory, we want this stuff, it's the good gear. again it's got a live sound, i can see steve rapping his words on that windy bit as the guitars return. it gets a bit heavy, it gets a bit groovy, it's words weaving through the world on a bed of sound. 'you could expect just about anything,' steve says, in a voice you can trust.
everytime. - beauty in a song, such a sad overwhelming beauty it's emotional. some songs just get me in the old heart, and this is a classic one. no idea what it is all about but the feeling is like a memory of being in love with someone a long time ago before it all went wrong. when the fuzz guitars kick in everything seems to spiral upwards, chasing that stunning instrumental until steve returns. easily up there with the rest of them, wow!
the first time i played this album i fell asleep around this point. there's some sort of narcotic consistency, a maturity and laidback feel to the sequence, it's so calming and relaxing.
sky and hill- just such a classic. a hit single for the alternative universe i live in. radio's play it on high rotation, i hear it from the old tinny radios in convertibles that drive past me on the freeway, it's in the jukebox at the bar, coming blasting out the milkers and everyone is singing along. everyone loves it, the whole world stops fighting and hold hands, singing this one. it reminds me of that first toke on a beautifully constructed joint.
paladin smokes black hash. strangeness and liminal, it's dreamy soft and sleepy, it's other worldly and haunting. there's a stoned feeling, the slow guitars, the washed out energy. the thing about the church is in a months time this could be my fave song ever but first listen it's making my eyes feel heavy and the smell of weed wafting though the lounge hangs heavy, and my head feels light.
martian skyline- more pop for the thinking man, such a radio friendly track, if only it was 1976 there's something very american about these songs, yeah, i guess it was recorded in the USA, I really like this one, it's a slow grow, 'two cats, gog and magog, familiars.'
the percussion is fantastic. there's some nice synth pads, and as usual an interesting soundscape, harmonies and outro to die for. bliss.
i want it - perfecto. so chilled out and smooth, a mature sound, i dunno, this new sound is very different, it's a wonderful thing, the band seem to be harmonised, in synch and inhabiting a new level of synergy, it's really organic and big, it's sexy and cool, it's chilled out without being light, it's weighty without being heavy, it's deep with no shallow.
the place of eternal spring- oh yeah, now we are cooking with gas. psychedelic sounding, as we fall down the rabbit hole, and out the black hole of eternal springs comes forth many things, colours in sound form, emotions in flower form, like 'dome' i want the fade out to carry on forever. is that selfish?
rapture- that's why there's a fade out, so we can get to the rapture. nice intro. exquisite. back into rock and roll. hang on, this is pretty fucking great. it's still so melodic, just when you think it's rocking out, it rolls in. ah, that's why i love the band, they always keep you guessing and do things unexpectedly. it's not rock and roll, it's roll and rock. with great lyrics. wow! the guitars rule! my fave song, well i know i've chosen a lot from lacuna.
forever- oh no, more ambiguous love, ha, my personal curse, i really relate to this tune. simple piano but with the other instruments kicking in, the whole song just becomes something of a lament, a march through heartache and loss. yet, beautiful. i like the way the drums work in the mix, it's a clever use of mixing and juxtaposition, and that guitar outro is classic church. again i don't want it to end.
slight return to the grove - mmm, yeah gotta get me some enlightenment. it's a nice touch, it really is.
sacred echoes - so strange this was never released as an ep full length, two new releases sold separately a few months apart. it's a marketing gimmick but the church have always been incredibly generous to their fans and here it is. epic. the final song. it's a universe in itself. three parts, three echoes, it's a phenomenal piece. another film. it's another kind of lament to a world gone. magnificent and powerful. again, would be epic to see this live. in fact the whole album would be amazing live.
so much music, such a large canvas and so much to absorb, i'm overwhelmed and 17 songs, all killer no filler, a new kinda sound, a complete sound, a band of equals, developed and embracing an evolved definition of musical collaboration, the band all of them have created something stunning and huge, it's honestly impossible to review or dissect. i can only paint impressions. and i must thank the church for their music, and what it offers me in this life, for without 'the church' i would have no reason to look forwards except for a new book release from a fave writer but they are all dead so not much new from them. long live the church.